You thought we’d given up, didn’t you? No such luck; it’s a day, which means it’s time for another exciting episode of the Crisis On Infinite Midlives Podcast!

In this week’s episode, we talk about:

  • How to get comics into the hands of children (Give a store to Jerry Sandusky! What, too soon?)!
  • What to pay your kids for allowance (Or, Sundusky’s Lawsuit-Be-Gon)!
  • New Jersey Comic Conventions (or: SDCC with GTL and MPV meaning HEP3!)
  • F***ing Digital Comics: How Do They Work (Great, if you hate paper and reading comprehension)!
  • The pros, cons, Novas, Phoenixs (Phoenixes? Phoenices? Phoenicians? Penises?) and Wonder Twin clones of Marvel Point One!
  • Our favorite non-reviewed books of the week, and:
  • Fisting a ham (Oh, it’s in there)!

As usual, if you listen to this at work, you should wear headphones! Unless your boss is into that hot, sweet, man-on-piglet action (And if he is, thanks for listening, Coach Sandusky)!

Thanks for listening, suckers!

Yesterday was a big day on the DC Source blog, where they apparently decided to try and recapture that excitement and magic of the first month of the New 52 by showing off every… single… cover of every… single… comic that they’re releasing in February, the six month anniversary (or six month-aversary? “Anni” means “year”. So technically, anniversary isn’t the right – what’s that? No, you’ve been drinking! but I digress.

You can go straight to the source (get it?) for the full list, but here are some of the highlights. And lowlights:

You know, sometimes when I’m watching Cartoon Network, usually, but not always, during Adult Swim, I think, “Am I drunk?” However, watching this trailer for the proposed DC Nation block of programming, set to air on Cartoon Network next year, I find myself thinking, “Am I drunk enough?”  The following video and programming info comes via Bleeding Cool. Go pour yourself a couple fingers of brain-be-gone, come back and hit play.

EDITOR’S NOTE: Avenging Spider-Man is the first book in a new Marvel Comics initiative where they provide a free download codes for a digital copy of the book inside the print edition’s back cover. This review is about the story and art itself. We will be publishing a secondary review about what it was like for me, who has never downloaded or read a digital comic in my life, to try and download and read the digital copy. I imagine it will be slightly more difficult than downloading pornography, which I accidentally did four times while writing this paragraph.

Amanda made me promise that I wouldn’t start my review of Avenging Spider-Man #1 ranting about Marvel’s lack of internal logic in it’s own continuity. She made me swear that I wouldn’t start screeching about how the book depicts Mayor Jameson taking time to officiate the New York Marathon not ten days after the conclusions of the Spider-Island and Fear Itself events, both of which had left Manhattan looking like a fraternity toilet the morning after Bladder Bust night. And she made me promise on a stack of Holy Books (Well, my issues of Miracleman) that I wouldn’t sneer in pointing out that Thor is shown in this book as the most dedicated Avenger, reporting to duty to battle a giant robot despite a prior commitment made in Fear Itself to decay and smell bad.

So, being a man of my word, let’s talk about Avenging Spider-Man #1 on it’s own merits. To start with, the title “Avenging Spider-Man” is a much better title than “Marvel Team-Up”, which is really what this book is.

There was a time when a man could be kingpin of the Chinese criminal underground in San Francisco in relative quiet and safe anonymity. Just be left to while the days away, occasionally kicking some uppity newbie Triad ass, collecting whatever protection money you had coming to you. Leave the city for weeks, months at a time on Avengers or X-Men business and come back, pick up where you left off.

Wait, what?

Yeah, Wolverine has lots of secrets.

Spoilers, a large sweaty man in a diaper and dragon chow after the jump.

Frank Miller really shouldn’t be getting his panties in so much of a bunch about what he thinks Occupy Wall Street is all about anyway. If he’d just check out Bleeding Cool, he’d find out that Occupy Wall Street isn’t a bunch of dirty hippies trying to engage in anarchy and promote terrorism. He’d find out that their agenda is far more sinister.

You see, it’s all about Pokémon.

Hide the women and children. Battle monsters are coming and it’s all President Obama’s fault. You have been warned. Frank Miller, I know you’ve already tried to once but – do you dare to write about the real yellow bastard?

Hey, didja know Frank Miller has a blog? Me neither! I bet it’s just chock full of little tidbits about Frank’s creative process, how he works, what he’s working on next, and a million other juicy insights that would excite the comics enthusiast! Let’s tune in, shall we?

The “Occupy” movement, whether displaying itself on Wall Street or in the streets of Oakland (which has, with unspeakable cowardice, embraced it) is anything but an exercise of our blessed First Amendment.

Wow! I feel like I have an insider’s view into… Wait, what?

This is no popular uprising. This is garbage. And goodness knows they’re spewing their garbage – both politically and physically – every which way they can find.

Oh, Frank. Who hurt you? Grab a glass, pour a drink, and tell your Uncle Rob –

Maybe, between bouts of self-pity and all the other tasty tidbits of narcissism you’ve been served up in your sheltered, comfy little worlds, you’ve heard terms like al-Qaeda and Islamicism.

Oooookay…

Oswald Cobblepot, aka The Penguin, made his comic book debut in Detective Comics #58 in 1941. Like Batman, he too was conceived by Bob Kane, but his origins have varied over the decades to suit the needs of the writers. In this most recent incarnation, as is being detailed in Penguin: Pain And Prejudice, written by Gregg Hurwitz with art by Szymon Kudranski, The Penguin’s back story seems to be along the lines of being from a well-off family, but rejected by his father, brothers and school mates for his short stature, beak-like nose and generally milquetoast personality. Indeed, the only person in the world who loves him unconditionally is his mother. He returns her love with a burning affection that would make Oedipus blush.

Well, a boy needs something hold onto in the crazy world of ours, right?

Nah.

It’s just kind of icky and sad.

But does any of this have to do with Ozzie’s rise to the top of the Gotham crime scene beyond making us feel vaguely uncomfortable as we read it?

Spoilers after the jump!

Albert Einstein supposedly said that the definition of insanity is doing the same thing over and over again and expecting a different result. Norman Osborn is insane. Brian Michael Bendis might be too.

Let’s start with the most important thing to keep in mind when reading this review: I didn’t particularly like Marvel’s 2008 – 2009 Dark Reign crossover event all that much. The foundation behind it – that Norman Osborn was made head of S.H.I.E.L.D. (Renamed H.A.M.M.E.R. to sound all badassed during the event) – meant that reading a Marvel comic during that time required a suspension of disbelief that would make Hercules say, “Ah, fuck it.”

Yes, I know Osborn killed that invading Skrull Queen in Secret Invasion. He also killed Gwen Stacy. In cold blood. In the middle of New York City. On camera. Making Osborn the Top Cop was roughly akin to setting Bernie Madoff up as Secretary of the Treasury, or hiring Ted Bundy as the Headmaster of The Finishing School for Aspiring Victoria’s Secret Models.

The biggest thing Osborn did during Dark Reign was create his own “official” version of The Avengers, packed with supervillains dressed as their superhero counterparts. With Daken as Wolverine, Venom as Spider-Man, Bullseye as Hawkeye, et cetera, et cetera. Which is a brilliant and interesting concept… for say, a two or three issue story arc. As a fiendish plot by some master criminal to fool street cops. “I know… while we are robbing the New York Bank of New York, we will dress in the costumes of our enemies! That will make the police mistrust and harass The Avengers, and we will have our revenge! Mwu-hah-hah-ha!”

Instead, the Dark Avengers went on for almost a year and a half, all based on a concept that also only worked if you never stopped and thought about it for even a second: “Hi, Mr. President? Meet Bullseye. Hired assassin. Done years and years in prison. Once had a brain tumor back that made him hallucinate and kill strangers. Also killed Karen Page in cold blood. In a church. And there’s garage surveillance footage of him stabbing Elektra to death floating around on the Internet. Can we get this man a badge and a security clearance? And while you’re working on that, I’d like you to meet Venom…”

Stephanie Meyers inflicted Twilight on the world in 2005 and reminded the everyone that light pop horror sells big with teen girls and soccer mommies. Many authors took advantage of this and the market has been pretty well flooded with many books by hopefuls looking for a piece of the emo-oriented action. The House Of Night series, written by mother-daughter team P.C. and Kristin Cast and first released in 2007, is one of these.

I didn’t know this, when I picked up House Of Night #1, written by the series creators and adapted by screenwriter Kent Dalian. All I knew was that Dark Horse was putting out another vampire book and it was just a dollar. I read the whole thing from cover to cover thinking, “Wow, I feel like this story, this story that is the first issue of what is going to be an on-going series, seems to be dropping me in the middle of events that I should already know about and feels like a pitch to the CW that got turned down because The Vampire Diaries was going to be similar and cheaper to make.” And then I read the inside of the front cover and discovered that:

This series takes place between scenes from Betrayed, the second novel in the House Of Night series.

Oh.

Spoilers that may or may not include the trials and tribulations associated with being a teenage vampire vampyre after the jump.