secret_wars_9_2016_coverSecret Wars #9 was released this week, marking the official end of the Marvel Universe as created by Stan Lee and Jack Kirby (or by Kirby and Lee, depending on whose version you prefer) in the November, 1961 issue of Fantastic Four #1.

Purely by coincidence, this was also the week that our local comic store put used copies of the first two volumes of Marvel’s Essential Fantastic Four reprints on sale. And also purely by coincidence, this was the week we obtained a copy of last year’s Josh Trank-directed movie version of Fantastic Four, with the original plan being to watch it so we could, in good conscience, list it as our worst genre movie of 2015.

However, with both the beginning and the end of Stan and Jack’s Fantastic Four and Marvel Universe in our hands, as well as this wretched little celluloid deviation, we decided it was a perfect time to revisit the team, how much of the Marvel Universe just those first few issues laid down for decades to come, how the comic really was a product of its time (and how the movie was proof of that), and how Jonathan Hickman laid those characters, as they have been since 1961, to rest. And, ultimately, we discuss whether this team, that was born during the Space Race, when Kennedy was President and World War II was closer in history than the Y2K Bug is to us today, could have a future in 2016.

And now, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like a discussion why Sue Storm makes Helen of Troy look like Willie Lumpkin.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that we will spoil the fact that the Fantastic Four movie just sucks.
  • This show contains adult, profane language, and therefore is not safe for work. See that “Ring Job” in the title? Don’t let your boss hear about that. Get some earphones.

Thanks for listening, suckers!

walking_dead_dead_insideAfter a long week of hunting for possible new locations for the Crisis On Infinite Midlives Home Office, we were finally able to sit down and watch the premiere episode of the new AMC spinoff to The Walking Dead, Fear The Walking Dead.

We had reservations about the show going in, such as fears that this might be where we discover what caused The Walking Dead‘s walkers to start walking, or that a show about the beginning of a zombie apocalypse would be nothing but a new take on a story we’ve seen in Night of The Living Dead, Dawn of The Dead, and about two dozen different video games, or that a show about the beginning of the end would inevitably become a story about what happens after the end… and we already have that show.

Thankfully, none of those failure were evident. Unfortunately, many others, including inconsistent direction and writing, and a reliance on horror movie tropes of the kind you see on Netflix at 3 a.m. when you’re drunk and bored. And we talk about all of them… as well as the stuff that we liked, and gave us hope that there’s more to this show than the flaws in its pilot.

We also discuss:

  • Lando #3, written by Charles Soule with art by Alex Maleev, and:
  • Hank Johnson: Agent of Hydra, written by David Mandel with art by Michael Walsh!

And, as always, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like learning the secret ingredient in Amanda’s hummus, and why it would offend Cthulhu.
  • This show contains spoilers. While we try to shout out warnings ahead of time, consider this your alert that Lando Calrissian was not eaten to death by a space vagina.
  • This show contains adult, profane language, and is therefore not safe for work. Once your mom hears the Sarlacc described as a space vagina, she will never be able to unsee it. So get some headphones.

Editors’ Note: We are currently not planning to release a new episode on Sunday, September 6th (although if our schedule changes for the better, we may). Regardless, we will be back to our regularly scheduled programming on Sunday, September 13th.

Thanks for listening, suckers!

hey_kids_comicsIt has been a hectic week at the Crisis On Infinite Midlives Home Office, and combining that with a dearth of substantial comics news we’d be interested in discussing, it means that we’re going old school this week.

That’s right: on this week’s episode of our comics podcast, we’re going to discuss a bunch of this week’s comics!

Here’s what we’ve got in the pipeline:

  • Buffy The Vampire Slayer, Season 10 #18, written by Christos Gage with art by Rebekah Issacs,
  • Secret Six #5, written by Gail Simone with art by Dale Eaglesham and Tom Derenick,
  • The Amazing Spider-Man: Renew Your Vows #4, written by Dan Slott with art by Adam Kubert and Scott Hanna,
  • 1872, written by Gerry Duggan with art by Nik Virella, and:
  • Loki: Agent of Asgard #17, written by Al Ewing with art by Lee Garbett!

And, the usual disclaimers:

  • We record this show with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like learning why a “grunt” is poor open house etiquette.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that you will learn whether or not Spider-Man actually renews his vows (Not yet. Sorry.).
  • This show contains adult, profane language, and is therefore not safe for work. Seriously, you don’t want your supervisor hearing that “grunt” thing. Get headphones.

Thanks for listening, suckers!

MarvelAllNewAllDifferentIt’s the final day of a long holiday weekend in the United States. We celebrated Independence Day in the ways of our forefathers: by getting drunk, listening to stuff blow up, and spending hours and hours playing Batman: Arkham Knight on our brand new XBox One. So we spend a little time talking about the new game, the new game system, our relationship to gaming, and how, no matter which next generation console you choose, you are now doomed to live with that company’s games until they, or you, die.

But this is a comics show, and there was big comics news this week: Marvel announced a huge chunk of the books that they will be releasing in October to follow the universe-rebooting Secret Wars. It’s up to 45 books, which means we don’t have time to talk about all of them, but we spend a little time with Amazing Spider-Man, The Ultimates, Captain Marvel, Karnak, Old Man Logan, and Doctor Strange. We discuss how we think they’ll work, how Amazing Spider-Man could be the answer to the prayers of both fans and haters of One More Day, and how the creative team behind Doctor Strange has Rob as excited about a comic book as he’s been in years.

We also discuss:

  • Secret Wars #4, written by Jonathan Hickman with art by Esad Ribic,
  • We Stand On Guard #1, written by Brian K. Vaughan with art by Steve Skroce,
  • Groot #2, written by Jeff Loveness with art by Brian Kesinger, and:
  • Little AvX Marvel #2, written and drawn by Skottie Young!

And now the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you’re used to, it also means that anything can happen. Like learning about Immaculately Manscaped Galactus.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware that you will learn which X-Man takes balls to the face in Little AvX Marvel.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to know the etymology of the word “crotchal”? Then get some headphones.

Thanks for listening, suckers!

game_of_thrones_logoWe have a special guest this week: John Keating, a former Boston comedian who now lives in Los Angeles, working as an actor, who has a couple of geek-related projects in the works. He plays a primary character in the independent movie The Concessionaires Must Die!, a film about a bunch of genre geeks who work at a movie theater that’s about to close down, and which features a cameo by Stan Lee (playing someone other than Stan Lee for a change!). John’s also voice acting in a cartoon called Gen Zed, about a group of videogamers living together in a house, starring the first transgender voice actress in a lead role. So we spend some time talking about indie film production, the unique way that the directors and producers of The Concessionaires Must Die! got some early buzz and interest in the flick, and some of the basic ins and outs of voice acting in an animated show!

But John isn’t just an actor, he’s a longtime fellow geek with a huge interest in Game of Thrones. So we spend a lot of time talking about the fifth season of the HBO show, including our favorite and least favorite moments and storylines (hi, Sand Snakes!), some of the greater themes put forth in the season (like the effects of blind faith, and the perils of governing when you misunderstand your subjects), and whether the levels of violence and terror in some parts of the season were justified by the story and characters. And you know which parts we’re talking about.

We also discuss:

  • Mad Max Fury Road: Furiosa #1, written by George Miller, Nico Lathouris and Mark Sexton, with art by Sexton, Tristan Jones and Szymon Kudranski, and:
  • Thors #1, written by Jason Aaron with art by Chris Sprouse!

And now, the disclaimers:

  • We record this show live to tape, with minimal editing (although a couple of parts were cut to eliminate old inside jokes you wouldn’t understand, and to protect our secret identity). While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like learning the perils of Al Goldstein’s film festival.
  • This show contains spoilers. If you haven’t seen Game of Thrones fifth season, be forewarned.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want your employer to hear the name of Al Goldstein’s film festival, get yourself some headphones.

And to get a sense of John’s current projects, here are the trailers for The Concessionaires Must Die!, and Gen Zed!

Thanks for listening, suckers!

supergirlLast week, we talked about how the future of the DC television shows, particularly the upcoming Legends of Tomorrow and Supergirl, and how they might fit into the continuity created in Arrow and The Flash on The CW. And we mentioned over and over again that it’s hard to figure out the direction of the upcoming shows based only on trailers and not even a complete episode.

Well, clearly someone trusted with access to intellectual property at CBS or Berlanti Productions was listening, because the complete, hi-def pilot to Supergirl leaked to the Internet on Friday afternoon. And while normally one needs a little technical knowledge to find pirated videos online, this one leaked in a way where anyone with a mind to can watch it (although I’d use that link quickly, as CBS’s lawyers will be back from the Memorial Day holiday weekend bright and early Tuesday morning).

So we talk about the pilot, including how it uses the Superman mythos as shorthand to build Supergirl’s back story quickly (in ways both good and bad), how it’s potentially laying the groundwork for some continuity from the comics, possibly introducing an entirely new version of Lex Luthor, and creating questionable relationships between Superman and the government. We also talk about how the pilot wears its “girl power” themes on its sleeve, and whether that’s something that’s desirable or sustainable in the long run.

We also discuss:

  • Planet Hulk #1, written by Sam Humphries and Greg Pak, with art by Marc Laming and Takeshi Miyazawa,
  • Ultimate End #1, written by Brian Michael Bendis with art by Mark Bagley, and:
  • Deadpool’s Secret Secret Wars #1, written by Cullen Bunn with art by Matteo Lolli and Jacopo Camagni!

And now the disclaimers:

  • We record this show live to tape with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like learning the origin story of Trucker Klingon, a.k.a. Steroid Loki.
  • This show contains spoilers. Like, we spoil the entire pilot of Supergirl. Consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. You want your boss to learn the filthy double meaning behind Deadpool’s 80s-style costume logo? Of course not; nobody needs a visit to human resources on a short holiday week. Get yourself some headphones.

Enjoy the show, suckers!

flash_arrow_crossoverThis was a big week for the DC Television Universe (or, based on the television network most of it is on, The DCW). We saw crossovers between Arrow and The Flash, with new trailers released for the upcoming Legends of Tomorrow superteam show with characters from both shows, and Supergirl, which might or might not be part of the same continuity. And as we watched it all, we wondered how DC and Warner Bros. managed to create a continuity-consistent version of the Justice League, under our noses and on television, seemingly without our noticing.

So we discuss what DC has built, how what’s coming can only expand upon it, and how, in its own way, it’s at least as exciting as what Marvel has accomplished with their Cinematic Universe… and how it’s possibly more exciting than what DC is trying to do with their characters in major motion pictures.

We also briefly discuss the previews for DC’s upcoming Bizarro, Doctor Fate and Gotham At Midnight, before diving into:

  • Secret Wars #2, written by Jonathan Hickman with art by Esad Ribic, and:
  • Captain America And The Mighty Avengers, written by Al Ewing with art by Luke Ross!

And, as always, the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen! So listen to find out what 90’s television show is our own personal Vietnam!
  • This show contains spoilers. While we try to shout out warnings ahead of time, assume that we will ruin everything for you.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want your employer to hear about Doctor Strange and his “little finger,” you’ll want to find some headphones.

Enjoy the show, suckers!

secret_wars_teaser_alex_rossIt is Mother’s Day today, which means a somewhat shorter and truncated show this week. Because when you’re a son or a daughter, you need to honor your mother on Mother’s Day. And it turns out that you need to do that whether you remember she’s visiting that day, or whether they need blind telephone technical support for several hours. Because she’s the woman who gave birth to you, and saying, “But we have a podcast to record!” isn’t a good excuse. Particularly when you don’t want Mom to know that you have a podcast.

So this week, we take advantage of the fact that Convergence is half over to discuss the previews of post-Convergence books, both new and old, that DC has released this week. The books run the gamut from humor to sci-fi to action to apparent political horror, so we talk about Doomed, Red Hood and Arsenal, Starfire, Midnighter, Green Lantern, Green Arrow, Omega Men, Detective Comics, Section Eight, and Prez.

But the big deal in this week’s comics was the first issue of Marvel’s Secret Wars, where Jonathan Hickman spits on his hands and takes Marvel the whole Crisis route. However, Secret Wars #1 isn’t Crisis. So we talk about how Hickman has put Marvel through it’s own Kobayashi Maru test, and given us a superhero story where nobody acts like a superhero, everyone seems to act in their own self-interest, and heroes act like they never have before in order to make sure everyone’s in the right place to service the plot. Ultimately, we talk about how this is a story that is very consistent with Hickman’s general style… and how that might not be the best thing for some of these characters.

And now, the disclaimers:

  • We record this show live to tape. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like speculation about the musky flavor profile of Dead Guy Whiskey.
  • This show contains spoilers. While we try to shout out warnings ahead of time, just assume that you are going to learn exactly why Reed Richards is a d**k.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you want your employer to learn our new cocktails based on Dead Guy Whiskey, get some headphones.

Thanks for listening, suckers!

c2e2_logoWe’re a bit later than we originally intended, but proud to present the first part of our C2E2 2015 panel recaps. But these aren’t your normal panel rundowns; these are chock full of audio from the panels, including quotes direct from Dan Slott, Brian Azzarello, Jimmy Palmiotti, Amanda Conner, Charles Soule, and a bunch of other creators!

We start by going through the Secret Wars: Last Days panel from Marvel, where the panel talks about the Last Days miniseries leading to Secret Wars for characters like Ms. Marvel, Black Widow, Silver Surfer, Punisher, Ant-Man and the Inhumans. While there’s not a lot in the way of revelations in this panel, there are one or two really interesting new tidbits… as well as the name a of supervillain that, by the end of the episode, will haunt your nightmares.

We then recap the New DC Universe panel, where the post-Convergence storylines of books including Harley Quinn, Starfire, Bizarro and Catwoman, as well as some details about the upcoming We Are Robin, are laid out. This was the panel where Dark Knight 3: The Master Race was made, and we have that audio (and our opinions) as well.

We plan to tape and release our recap episode about the Batman panel (where Scott Snyder talks openly about the Bat-Bunny) tomorrow or Friday, so stay tuned!

Thanks for listening, suckers!

c2e2_logoWe are back in Boston after attending day two of C2E2 2015, and let me tell you: Saturday at that convention is a very different experience than Friday. The crowds are much, much bigger, the cosplayers are everywhere (you can’t swing a dead cat without hitting a Deadpool… note to self: try to sell Deadpool’s Pet: Dead Cat idea to Marvel), and the drunken rubberneckers began to rear their ugly heads.

But there were also cool creators to meet, awesome purchases to make (unless the purchase you want to make is, completely by accident, related to a major Hollywood announcement, in which case you were all out of luck), and some solid panels to attend. So we talk a little bit about the C2E2 Saturday experience in general, the Secret Wars: Last Days and Batman panels specifically, and why a certain Chicago restaurant will never be visited again in unfortunate detail.

Again, this is just another brief recap show. We will publish a detailed recap of the convention, including a lot of panel audio, tomorrow or Tuesday.

Thanks for listening, suckers!