Harley Quinn and Suicide Squad

Ding Dong - Candygram!

Wow! Check out Harley Quinn on the cover of “Suicide Squad” #1! That’s quite a makeover you’ve undergone there, ma’am. Trying something different to regain the Joker’s interest after his disappearance in Detective Comics #1, huh? It’s a good look – and I don’t just mean the multi-tonal hair and the push up, blink-and-you’ll-miss-it bustier (and, just between us girls – how do you keep that on when swinging that sledgehammer? I have a running theory that involves dress tape and transdermal snap implants – am I close?). No, I mean that extra sprinkling of crazy. It looks good on you, and I’m not just saying that because you’re holding a knife. Really.

bunker teen titans gay superheroOver the weekend, the artist on the upcoming DC New 52-renumbered Teen Titans announced that the team will be introducing its first openly gay member in the third issue.

Penciller Brett Booth let the news about new character Bunker, a new character with the power to create brick-shaped force fields that he can form into apparently any shape, slip via the following Twitter exchange with Batgirl writer Gail Simone:

Gail Simone: Tomorrow I am on a panel not listed on the schedule, WHERE ARE THE GAY SUPERHEROES, at 11:00 am, in Mezzanine 1. It’ll be great!

Brett Booth: We got at least one in Teen Titans:)

Gail Simone: Really? Who is the gay superhero in TT? Can you say?

Brett Booth: Bunker is gay (the purple guy, I know, not my first color choice!)

Booth followed up with some more information on his blog, including a character description by Titans writer Scott Lobdell:

His real name is Miguel Jose Barragan.   He was raised in a very small Mexican village called El Chilar.  He was very loved by his family and the village as well — and they were as accepting of his homosexuality as they were to his super powers when they first manifested.   To that end he grew up in an angst-free environment.   He was born out of the closet and so he has a very refreshing outlook on life.

You didn’t ask for it. We didn’t want to do it. And yet we own microphones and whiskey, so Crisis On Infinite Midlives is proud to present our the first episode of our podcast: The Sack Of Justice!

EDITOR’S NOTE: You might ask what the title means. It means we had whiskey, and sack is a funny word. Don’t overthink this. God knows we didn’t.

This weeks topics include: the first two weeks of DC’s New 52 (Including Batgirl, Deathstroke, Detective Comics, Red Lanterns, Men At War, and Hipster Douchebag Superman – I mean Action Comics), Ultimate Spider-Man Miles Morales, Williams’ Batwoman and associated Bat Nipples, and Atomic Robo vs. Frankenstein: Agent of S.H.A.D.E. vs Hellboy!

Let’s make this a drinking game: every time you hear us slur or misname a creator, drink! Then by the time this is done, you’ll be as drunk as we were when we recorded this!

Comic Book Resources just published a preview of the upcoming Green Lantern Corps #1, written by Peter Tomasi (Of recent Batman & Robin infamy) and Fernando Pasarin on pencils. As with all DC’s New 52, I can only presume that it’s meant to be a jumping-in point for new readers unfamiliar with Green Lanterns, their background or any of their history. So let’s look at it while pretending to be one of those new readers, shall we?

We start with a man being locked into something called a “sciencell” against his will by uncaring jailors.

EDITOR’S NOTE: This review contains immediate, thoughtless, prejudicial spoilers. It is even possible that the story has already been ruined for you. So you might as well keep reading.

If you’ve been a comic book fon for the past couple of years, particularly if you’ve been one who followed Geoff Johns’s Green Lantern saga from the Sinestro Corps War through the Blackest Night event of 2010, you are going to cream your pants over the first seven pages of Red Lanterns #1. Peter Milligan NAILS everything fun and cool about the Red Lantern Corps, so much so that at one point I stopped what I was doing and I told Amanda, “You know what? Red Lanterns has the opening I’ve liked best of any of DC’s New 52 so far.”

“That’s great, Rob,” she said, “But I’d appreciate it if you’d put the comic book away until after we’re done having sex.”

But I digress… actually, I don’t, because that seven page opener is as much a non-sequiter as the above joke was. It has next to nothing to do with the remainder of the story that follows, and frankly? If you’re one of those ephemeral “new readers” that the New 52 is supposed to be reaching, I’m guessing you’ll quit somewhere during those seven pages and never read the book again.

Because if you don’t already know the characters, their backgrounds and motivations, what you’re seeing as an introduction to the Red Lantern Corps is an angry kitty in a red jumpsuit who bites some space dicks (The aliens in question being dicks, not ACTUAL, dangling space wangs. And the aliens themselves aren’t actually penises, they’re DICKS. Oh, forget it.), and his owner, who appears to be Mike Tyson if he ate too many carrots and tore his own lips off to give his teeth room to reproduce in his own mouth. And you’ll close the book, say something like, “Huh. those comics people DO eat mushrooms,” and go back and read Harry Potter again.

Heidi MacDonald at Comics Beat got her hands on an email from DC Comics saying that some percentage of copies of Green Lantern #1, which came out this past Wednesday, are being recalled for replacement due to a printing error that dropped a big, ugly-looking green loop on the cover, making Sinestro look like he’s rocking a raging dose of Oan Face Herpes:

We’re only halfway into the four-week reveal of DC’s New 52, so it might be a little early to say this about any particular book, but I’ll say it anyway: I firmly believe that Batman & Robin was only released because “New 52” sounds catchier than “New 51”.

This book tries to be all things to everyone who ever read a Batman comic book. And while that might be a noble goal for some marketing drone slavering over the idea of thousands of non-comic geeks stumbling into comic stores to “check out that new blasphemous, hipster douchebag Superman I keep hearing about,” for an actual comic reader, it leads to an uneven, schizophrenic read that can’t seem to decide what it wants to be.

After an introductary action sequence where a new villain, Nobody… no, HE’S Nobody… the name of the bad guy is Nobody… um, third base? Anyway, there’s a new bad guy. Nobody. He’s invisible. Spoilers. Yeah.

The book proper opens with a reproduction of the parlor from Frank Miller’s Batman: Year One where Bruce Wayne told his father’s memory that he would become a bat. Which for a rebooted Batman story isn’t a bad place to start, and God knows that last week’s Detective Comics #1 did itself a solid referencing Miller’s classic look…

And two pages later? Batpoles.

I had intended to bring you all a recap of last night’s Deadliest Warrior: Zombies vs. Vampires, but then Daniel Bard imploded in the middle of his inning during last nights Red Sox/Blue Jays game and our local bar consoled us with beer and free popcorn until “Whoops, I have a job to go to in the morning” o’clock. So, that show is sitting on the DVR and I will get to it when I can.

However, last night I did get to read Demon Knight #1, written by Paul Cornell with pencils by Diogenes Neves (that may be the best name, ever). One of the things I remember most vividly at Comic-Con this year was just how excited the two of them were in discussing the book at one of the New 52 panels this past July. The other thing I remember vividly was this thing with a homeless guy and some Tide Stain Stick, but that’s neither here nor there. Demon Knights is truly something they should have every right to be excited about. Neves art is vibrant and expressive. I was already a fan of Madame Xanadu after Matt Wagner‘s run with the character, but between Neves’s work and Cornell’s character voicing, I just fell in love with the character:

Sometimes you just have to ditch the fairy queens of Avalon for the Dairy Queen. I get it.

As will likely always happen on Wednesday nights, things at Crisis on Infinite Midlives will go dark until tomorrow for the following obvious reason:

Yup, just like last week, there’s 13 DC Comics New 52 books that need… wait a second… what the FUCK…

Is that a fucking MARVEL book? Will Crisis on Infinite Midlives do the heretofore unthinkable and begin focusing on non-DC New 52 books?

Tune in next week for the answer to these questions on the next episode of… PIIIIIGS IIIN – IT’S NEW COMIC DAY, SO FUCK OFF, WE’RE DRINKIIIIING!

Considering the most effective and forward-thinking form of comic book marketing has historically involved white wire, ball bearings and the garish phrase, “Hey Kids! COMICS!”, DC Comics has been going all out hyping their New 52 books. They’ve put commercials for the books on TV (Including reportedly during The Daily Show to catch that wily college potsmoking demographic), trailers in movie theaters, and print ads in straight magazines (I can’t address any idle rumors about ads in gay magazines).

And they haven’t stopped there. Rich Johnston at Bleeding Cool reported this morning that DC’s bought themselves a bunch of sponsored search terms on Twitter.

Those search terms being the names of Marvel Comics characters.