Episode 128: Show Me On The Doll Where Lee Majors Touched You

After yet another cripplingly busy week at the Crisis On Infinite Midlives Home Office (and, to be honest, after about a quart of single malt scotch and a few belts of mescal), we only had the time to discuss a few of the comics of the week. But that turns out to have been a good decision; since we didn’t have time to fully discuss and coordinate our choices, we wound up with a couple of polarizing choices upon which we didn’t really agree.

This led to a conversation that ranged from deciding where on the Kubler-Ross scale of grief we are with regards to Watchmen characters still appearing in DC: Rebirth books (Rob is at “Bargaining”, Amanda is “amused at Rob’s Bargaining”), how James Tynion IV made Rob care about Spoiler for the first time, whether there’s enough nostalgia in the world to make innovative visual storytelling enough to bring Steve Austin into the 21st Century, and how Amanda’s battle against scotch last night went (picture Amanda as Rocky and scotch as Apollo Creed).

So what comics do we talk about?

• Detective Comics #940, written by James Tynion IV with art by Eddy Barrows,
• Lady Killer Volume 2 #2, written and drawn by Joelle Jones,
• The Six Million Dollar Man: Fall of Man #3, written by Van Jensen with art by Ron Salas, and:
• Hadrian’s Wall #1, written by Kyle Higgins and Alec Siegel, with art by Rod Reis!

And, as usual, the disclaimers:

• This show contains spoilers. If you don’t want to find out who dies in this week’s Detective Comics (hint: it’s not Batman), then consider yourself forewarned.
• This show contains adult, profane language, and is therefore not safe for work. See that title? It’s because we talk about Lee Majors and a plaster cast. You want your boss asking about that? Then get some earphones.

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Thanks for listening, suckers!

Episode 40: Press Play For Zola

In case you didn’t notice, this week was all about Marvel Studios. They released the extended trailer for Avengers: Age of Ultron on Monday, and Tuesday they announced their Phase Three slate of movies to be released between 2016 and 2019, including Black Panther, Captain Marvel, and Avengers: Infinity War.

So we talk about those things, along with a brief rundown of some of the news coming out of this weekend’s Rhode Island Comic Con (That news being that it was impossible to get in… less in the “I can’t get tickets!” way than in the “I have VIP passes and you’re telling me I can’t enter the building?” way), and an analysis of the greatest living threat to your comic collection: unsupervised little brothers.

And on the actual printed comics front, we talk about:

• Death of Wolverine: The Logan Legacy #3, written by Kyle Higgins with pencils by Jonathan Marks,
• Death of Wolverine: Deadpool and Captain America #1, written by Gerry Duggan with pencils by Scott Kolins, and:
• Thunderbolts #32, written by Ben Acker and Ben Blacker with art by Kim Jacinto!

And here be disclaimers:

• This show is recorded live to tape. While it might lead to a looser comics podcast than you are normally accustomed to, it also means that anything can happen. Like trying to cast Benedict Cumberbatch as Squirrel Girl.
• This show contains spoilers. While we try to shout out warnings ahead of time, be aware of it before going in.
• Amanda and I use adult, profane language, and therefore this show is not safe for work. You want your boss to hear a conversation about whether the final shot of an adult video is better shot in 24 frames per second or 60 frames per second any why? Didn’t think so. Get some headphones.

Podcast: Play in new window | Download (Duration: 1:36:36 — 76.1MB)

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Enjoy the show, suckers!

Overkill: Nightwing #16 Review

I now know where Walter White got all the cash he’s keeping in that storage unit in Breaking Bad: from The Joker. Because the only possible explanation for how Joker could not only take over and gin up Arkham Asylum the way he did in Batman #16, but set up the amusement park in the intricate way he did in Nightwing #16, is with a pile of azure crank so big it would make Tony Montana reconsider his life choices.

Nightwing #16 continues this month’s series of individual penultimate chapters of the Death of The Family event, which means that Joker is finally springing his trap against Nightwing. And, as in the beginning of this month of stories as established in Batman #16, Joker’s trap is so elaborate, hideous and wide-ranging that you will have a moment, while reading the story, where you say to yourself, “Um… Joker would have to have a team of trained engineers, including outsourced talent, to be able to pull this off. How does one find a demolitions engineer in another city? Do you go on Monster.com and search on ‘explosives,’ ‘9-11 hoax,’ and ‘Lyndon LaRouche’?”

So what writer Kyle Higgins has done here is to create a deathtrap so wide-ranging and intricate that it almost beggars belief. We have elements here that would require significant travel, transportation and varied expertise to pull off, not to mention days and days without sleep to do it in less than a few months. And on top of it, it almost requires Joker to know that Dick Grayson is Nightwing, so if DC decides to back off that plot point when the series is over, they’re gonna have a real problem unless someone along the line gives Joker some kind of meatball lobotomy, or maybe bring in Superman under the assumption that New 52 Supes has the same power set as Christopher Reeve in Superman II.

It’s almost an insurmountable challenge… but Higgins redeems himself by making Joker’s motivations and explanations for taking action against Nightwing somewhat compelling, even as the scope of what his motivations have led him to do simply beggar belief.

Well, he mostly redeems himself.

Because This Champagne Won’t Open Itself: Amanda’s Top Comic Book Picks For 2012

Happy New Year! Well, almost.

This year in comics has been pretty uneven for the Big Two. Marvel finally dragged its ass across the finish line to end the pain and suffering that was Avengers Vs. X-Men, leading to a reboot relaunch of most of its major titles under the imprint of something called Marvel Now! Whatever its actual intentions (sales!), Marvel Now!’s primary functions have to have an excuse to bring Jean Grey back as a teenager (hot!) and kill off Peter Parker (cold!). The jury is out with me on the whole concept right now. Meanwhile, DC has killed off many of its New 52 titles before they even made it to middle school (oh, O.M.A.C., we barely knew ye!). On the other hand, Scott Snyder has emerged as an architect of some vision with his “Death Of The Family” concept, which is currently impacting the Bat Family of books. I’m digging this story almost enough to forgive him for taking a break from Vertigo’s American Vampire…and Vertigo’s got enough problems right now.

So, where were the bright spots? Check out my picks, after the jump.

Quitters Are Losers – Review Of Deathstroke #8

So, Deathstroke #8 is the farewell book from writer Kyle Higgins and penciler Eduardo Pansica and ties up Higgins “Deathstroke’s Whole Family Has More Daddy Issues Than George W. Bush” story line. We’ve watched as Deathstroke fought the good fight against the ravages of time on his physical skill set and reputation, nearly succumbed to vengeful parents with giant bank accounts and hearts full of hate, who want only to balance the scales of justice after Slade’s offed their kids, and dealt with his own angry son, for whom he could never be the father the kid needed. Even in this final book, Slade comes to terms with his own issues with his father. Despite all the super powered goodness and big action, the stories have all been grounded in real human problems that anyone who is getting a little older can relate to and that’s what made these books work for me. I’m sorry to see Higgins leave the series.

As we’ve reported before, Rob Liefeld will be taking over the series starting with issue 9. All that stuff with Slade Wilson struggling with familial relationships and his own mortality? Yeah, whatever. Liefeld is going to shoot Deathstroke into space to fight Lobo. Enough of your whining, Slade! We’ve got fucking space villains to crush, dude!

I like to believe that Higgins has left us a clue as to how Slade feels about this in the parting shots from issue 8:

Seriously, man. Liefeld's going to make me fight Lobo. Press the fucking button.

But, enough of my anti-Liefeld ranting. How do I feel about the rest of issue 8? With spoilers, after the jump.

Not Getting Older, Just Getting Better…Right? – Review Of Deathstroke #4

Ed. Note – This review is in no way influenced by the fact that I’m turning 40 tomorrow. Condolences, whiskey and Lipitor can be sent to the usual place.

Being Slade Wilson has never been easy. Given super strength, agility and healing factors through military experiments, you’d think Wilson would’ve had a bright future ahead of him as a metahuman super soldier. But, as so often happens, government bestowed super powers only come with more headaches than they’re worth. Am I right, Captain Atom? That guy knows what I’m talking about. In Slade’s case he ended up going mercenary to protect a friend, getting one of his sons kidnapped and grievously injured, getting shot at and partially blinded by his wife, and going on to become the punching bag for a group of teen superheroes, the Teen Titans. Oh, and engage in what can best be described as an “inappropriate” relationship with a 15 year old girl in the process. Slade Wilson – making the good choices! Serious, it’s all in The New Teen Titans: The Judas Contract. Go on. Read it and come back. I’ll wait.

Ok, so, now that the DC Universe has been rebooted, where does Slade Wilson find himself? Still a sad adversary to meta-powered children or did The Powers That Be give him a shot at a better life this time around?

Spoilery goodness and knife play after the jump!