And then he appeared from nowhere. Like he had been there all along, just… my eyes had failed to see him. He loved a grand entrance. That was Peter’s way.

Peter Panzerfaust is billed as “Red Dawn” meets “Peter Pan”… how can you not be interested in reading that?

The setting is the port city of Calais France, May 1940. The Nazi blitzkrieg is sweeping though France, Calais is falling and a quarter of a million allied soldiers are about to evacuate France at the port of Dunkirk. It is one of the darkest times of the Second World War.

The first complete, non-trailer scene clip of The Amazing Spider-Man flick has been released to the Internet on a viral site called Mark of The Spider-Man, a site which shows pictures of a bunch of people doing Spider-Man graffiti in cities around America, and then shows a disclaimer saying that each tagging was done with permission and that they don’t “condone or support the propagation of unauthorized graffiti.” In really small letters. Way at the bottom of the page. All the while, I’m sure, praying fervently that teenaged punks actually do start throwing Spider-Man symbols on brick walls around America. Which they will never do. Because all evidence to the contrary, teenagers are not morons. If Columbia Pictures really wants to reach the young, dumb and full of come “XXX-treme” demographic, they should put the Spider-Man symbol on bags of meth. Perhaps with a disclaimer stating that Columbia Pictures doesn’t condone or support the use of methamphetamines. And yes, I am currently whacked on a double dose of Sudafed; what’s your point?

Anyhoo, if the marketing swine at Columbia are hoping that releasing a clip of Spider-Man will lead to some kind of viral campaign of petty vandalism, they might be right… if perhaps they had released a clip including, you know, Spider-Man. Or The Lizard. Or any action whatsoever. However, they did not, so stow your spray cans, settle in, and enjoy approximately 45 seconds of the epic battle of: Peter Parker vs. The Dick Doorman!

Like some kind of demonic Energizer Bunny, Fear Itself continues to chug along, now in the guise of The Fearless. Sure, The Serpent is gone, Thor is dead and Odin has fucked off for points elsewhere, but Sin, the daughter of the Red Skull, still has daddy issues and she wants them addressed right friggin’ NOW! Damn it, people! Some jerk took her special magically evil hammer that daddy surrogate, The Serpent, gave her and she wants it back. That is her toy and she sure as hell isn’t going to let Valkyrie or anybody else play with it. Nope, not when she can throw a tantrum and have a bevvy of bad guys go do her bidding to go get the hammer back for her.

Hair pulling, slap fights and spoilers, after the jump.

Okay: we’re two issues into Winter Soldier now, and I’m getting a better sense of what Ed Brubaker’s going for here: some old-school, Steranko-style, 60s-S.H.I.E.L.D. sci-fi super spy stuff that doesn’t necessarily need to make any logical, real-world sense beyond a James Bond film with a 200 million dollar budget. All of which takes some of the edge off the fact that what initially appeared to be a modern, Marvel-based espianoge story suddenly spun, by the end of the first issue, into a scene of a screaming gorilla with a machine gun…

…and none of which makes it any easier to see that same gorilla with a jetpack at the beginning of this issue. That Goddamned gorilla is living every dream I’ve had since I was nine years old. By the third issue he’s gonna be throwing the meat to Heather Thomas, and by the fifth that fucker’ll be chucking feces at The New Kids On The Block.

EDITOR’S NOTE: If you want to see Jason Todd spoiled, dial 1-900-SPOIL-ROBIN! If you don’t want to see Jason Todd spoiled, dial 1-900-FUCK-OFF-DUDE-ROBIN-SUCKS-WHERE’S-MY-TWO-DOLLARS-DIDIO! Either way: I’m a-spoiling this book!

I am sick. Deathly sick. Like, “Wow! I think I must have obtained spider powers somehow because every 30 to 45 seconds, I appear to be horking up webbing!” sick. And I can confirm that Peter Parker was wrong; with great power seems to come great chills, fever and runny stool.

As such, I have very little energy to do anything, and am desperate for a solution that will make me feel better. So I decided to read Red Hood The The Outlaws #6. Which, based on Amanda’s experience reading the first issue, might mean that I’m am not just sick, but also very, very stupid.

I purchased the issue before I became quite as ill as I am now, so I can’t even blame antihistamines or brain fluke or whatever. No, I bought it because the cover proclaims that this issue contains the first meeting between Red Hood and Starfire, meaning that despite skipping issues 2 through 5 (Yes, I bought one in between, but didn’t have the heart to put myself through reading it), maybe I could get an explanation about Starfire’s post New 52… priorities.

So let’s get it out of the way: is this issue any good? Well honestly, it is better than the first issue. That doesn’t mean it’s good, per se; I recently put out something better than Red Hood And The Outlaws #1, albeit being somewhat runny.

We haven’t written almost anything about the Gary Friedrich / Marvel lawsuit because we are not lawyers, other comics news outlets have covered it better than we could have, and frankly, a major comic publisher winning a lawsuit against a destitute former creator isn’t, unfortunately, what you’d call isolated, groundbreaking news,

In a nutshell: the first guy who wrote the Ghost Rider character for Marvel sued Marvel claiming that they hadn’t properly registered a copyright to the character and that therefore ownership of the character had returned to him. It’s a lawsuit that’s been going on for some time, and about a week ago a judge issued a document saying that both parties agreed that Marvel owned the character, and that Friedrich actually owed Marvel $17,000 for selling Ghost Rider stuff at conventions. Which to the non-legally trained mind – like, for example, ours – seemed like getting hit in a crosswalk by a Ferarri and having a judge tell you to pay the rich guy for damage to his headlight.

So most of the comics Internet blew up, partially because of the 17 grand, but also because at face value, it looked like Marvel was going after creators for selling unlicensed materials at conventions. Which, frankly, would be bad; my walls are personally loaded with unlicensed drawings and paintings purchased at various conventions, and half of why I go to conventions is the opportunity to shake a creator’s hand and come home with an awesome convention souvenir… or at least a better convention souvenir than Yiff Herpes.

EDITOR’S NOTE: It’s Wednesday, and once again, the local bar is closed for reasons that border on the frivolous: there are very few hookers in this town to start with, and she might have stabbed herself seven times in the men’s crapper, and either way: I never saw her before. So I might as well take the opportunity to lie low and do another short comic review.

If you’re Scott Snyder and Greg Capullo, the problem with producing one of the more triumphant single comic book issues in recent memory – particularly when that triumph is based on what amounts to an engaging storytelling gimmick you can only use once that wraps a story that’s been told a million times: Batman gets driven nuts – is that you need to come out with another issue just four short weeks later. Well, it’s four weeks later, and Batman #6 is merely pretty damn good. It misses the level of great by hitting a story beat we’ve seen before, but it’s still very, very decent.

In a truly weird article reeking of cognitive dissonance, Fast Company’s Co.Create, which is a Web site that is not about comics, debuted exclusive new Darwyn Cooke art from the upcoming Before Watchmen book The Minutemen, while simultaneously debuting new comments from Alan Moore complaining that the Before Watchmen project should die on the vine, or in a chute, or really anywhere, preferably with Moore pulling the trigger.

“It seems a bit desperate to go after a book famous for its artistic integrity. It’s a finite series,” says Moore. “Watchmen was said to actually provide an alternative to the superhero story as an endless soap opera. To turn that into just another superhero comic that goes on forever demonstrates exactly why I feel the way I do about the comics industry. It’s mostly about franchises. Comic shops these days barely sell comics. It’s mostly spin-offs and toys.

Hmm… that’s not what I witness every Wednesday at my local comic store, where they know me by name and ask me to quit asking if they carry inflatable Power Girl dolls. What I do witness are a bunch of middle-aged guys with lucrative day jobs who can afford to buy a stack of three and four dollar comics, but that’s a different issue for the industry. Everyone knows that a product that targets only old white guys is destined to rocket to the top of any sales chart… provided your product is named Cialis. But I digress.

EDITOR’S NOTE: Vowing upon their parents’ death to rid Gotham City of the forewarning element, Crisis On Infinite Midlives has, over the years, fought spoilers in their many macabre forms. This time they lost. You are warned.

As I said in my review of Batman & Robin #4, I am enjoying this book one hell of a lot more than I thought I was going to when I finished the first issue. A book that started out looking like the worst of the Batman TV show was starting to look more like the Christopher Nolan movies. And #6 continues that trend, but there’s a funny thing about movies: I’ve always said (Because I lifted it from Stephen King in Danse Macabre) that I can tell if a movie’s any good, or if it’s too long, if I start wishing for a cigarette in the middle of it. At six issues into this battle against new villain Nobody? Yeah, I could use a smoke.

It’s not that this is a bad story by any stretch of the imagination. This issue gives us Robin under the clandestine tutelage of Nobody, who is actually Morgan Ducard, son of Henri Ducard, who trained Bruce Wayne before he put on the Batman suit. You remember, Liam Neeson from Batman Begins? You know, that Batman movie just before The Dark Knight? The one with the chick who’s banging Tom Cruise? Just go to any Best Buy dollar DVD bin and you’ll find it. But I digress.

Nobody is slowly massaging Robin into becoming a killer, starting to ease Robin toward a willingness to kill by doing the old “give him an empty gun and tell him to shoot a guy to get him used to pulling the trigger” trick, followed a couple of pages later with the subtle mindfuckery of the “Now dump the guy into a vat of acid while he’s awake and screaming like a pig in a chute” ruse. In the meantime, we flash back to Bruce’s first mission with Nobody’s father, where he tried a similar method of attenuating Bruce toward lethal means with the time-tested classic, “Shoot a dude in the face in front of the guy who has repeatedly stated that he will never kill, then say, ‘U mad bro?'” The two stories are interesting and effective in drawing parallels between Batman’s early training and Robin’s current work, but the abrupt nature of each Ducard suddenly chucking in lethal force is jarring, and forced me to say, “Oh well; he only had about about 20 pages to get it done,” and just like when you realize you’ve started looking for the wires in a space opera movie, boom! Just like that, you’re out of the story and wishing for a cigarette.

Trebuchet here with some Avengers movie speculation.

There hasn’t been this much buzz over something so small and pink since the Clinton Administration. I speak of course of what appears to be a Skrull board game piece that MTV (they’re still around?), discovered at a toy fair.

The board game in question is The Avengers: Mighty Battle and it’s hard to argue that the piece in questions isn’t a Skrull.  This could mean that Joss Whedon’s adamant proclamation that there aren’t any Skrulls in the upcoming Avengers movie is just a diversion… but…

Apparently, Fox may own the rights to “Skrulls” through its Fantastic Four License. So what gives? The way I see it, one of two things is happening.  Either Joss managed to get the rights to the name from his dear, dear friends at Fox, or more likely, they aren’t Skrulls.  We’re probably looking at “Chitauri”, which are basically Skrulls of another flavor.  It’s kinda like saying, that’s not a “Grizzly” bear, it’s a “Kodiak”!  The Chitauri showed up as the big bad in the 2006 animated movie Ultimate Avengers: The Movie, so they have that going for them. Either way, I can’t wait until May!

The Avengers drops into theatres on May 4th.

(via MTV Geek)