We are in a genre entertainment lull. A week after Wonder Woman debuted in theaters, three weeks before Spider-Man: Homecoming opens, and with all the geek TV shows on summer hiatus, there’s not a lot to talk about except the comic books.

So we stick with comics this week, and we are thankful that we don’t have to deal with a week of DC Comics trying to shoehorn classic comics from the 80s into modern continuity. Instead, we weep that we have to deal with DC Comics trying to shoehorn classic comics from the 80s into some weird Elseworlds continuity they probably hope they can sell to people who remember Frank Miller without thinking of Holy Terror.

So we discuss:

  • DK III: The Master Race #9, written by Frank Miller and Brian Azzarello, with art by Andy Kubert and Klaus Janson,
  • Wonder Woman Steve Trevor Special #1, written by Tim Seeley with art by Christian Duce,
  • Batman #24, written by Tom King with art by David Finch, and:
  • The Walking Dead #168, written by Robert Kirkman with art by Charlie Adlard!

And, the normal disclaimers:

  • This show contains spoilers. If you don’t want to know who Steve Trevor is sleeping with, you are clearly not thinking things through. But don’t pretend we didn’t warn you.
  • This show contains adult, profane language, and is therefore not safe for work. We don’t talk about Batman’s dance belt because of his waistline. Listen with some headphones.

Thanks for listening, suckers!

x-files_season_10Sorry for last week’s unexpected absence, but something unexpected made its way into our home and made us feel terrible. And on a completely unrelated note…

A couple of weeks ago brought us the conclusion of the much-anticipated return of The X-Files. Presented as six episode miniseries meant to function as an official tenth season of the original series (down to the original, shot-on-video opening credits), the event was intended to satisfy both long time fans and newer viewers alike. Meaning that we were the entire target audience – Amanda watched the show from the first episode, whereas Rob has only seen the first couple of seasons on DVD and the movies.

So we talk about the things about the season that worked, the things that unexpectedly delighted us, the elements that were more distracting than anything else… and the things that were simply, truly, irrevocably awful. And while we didn’t agree on everything, there is one thing in which we are lockstep: of all the things that work in The X-Files, Chris Carter should be George Lucas’ed into the cornfield, Disney style.

We also discuss:

  • The Walking Dead #152, written by Robert Kirkman wih art by Charlie Adlard,
  • Green Lantern #50, written by Robert Venditti with art by Billy Tan and Vicente Cifuentes, and
  • Black Widow #1, written by Mark Waid with art by Chris Samnee!

And, the disclaimers:

  • As we said: we were sick last week. So you’re going to hear more coughing and sniffling than normal. We apologize.
  • This show contains spoilers. While we try to yell out warnings ahead of time, be aware that we will ruin the ending of The X-Files more thoroughly for you than Chris Carter did. Actually, that’s not possible.
  • This show contains adult, profane language, and is therefore not safe for work. Do you want your employer to learn how to violate millions of television viewers with a move I like to call the Sudden Stem Cell Trespass? Then get some headphones.

Thanks for listening, suckers!

walking_dead_dead_insideAs we have been for the past several weeks, we remain immersed in the process of moving to a new Home Office. This means that we have spent our week collating documents mundane and obscure, and hunting for documents demanded by Unseen Powers that are so obscure that they apparently Cannot Be Named.

So we welcomed the distraction provided by a universe where, if a man wants a new house, he need but clear it of shambling ghouls and defend it from traitors and raiders. That universe being that of The Walking Dead, which debuted its sixth season last Sunday. So we discuss this magic world that is so blessedly empty of lawyers, mortgage underwriters and real estate brokers. A world that provides not only some of the most stunning visuals this series has ever presented, but which also raises questions about the very nature of morality and the rule of law, in a world where a society’s members, circumstances and requirements can change by the second.

We also discuss:

  • Chewbacca #1, written by Gerry Duggan with art by Phil Noto, and:
  • Uncanny Avengers #1, also written by Gerry Duggan with art by Ryan Stegman!

And, the inevitable disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like the avocation of financial, and perhaps physical, sanctions for late comics.
  • This show contains spoilers. While we try to shout warnings ahead of time, be aware that we may ruin the surprise as to who this season of The Walking Dead’s Carl is (fun fact: it might not be Carl!).
  • This show contains adult, profane language, and is therefore not safe for work. We talk a lot about “horrible biological sounds” this week. Think your boss would use that in a positive way in your annual review? Yeah, get some headphones.

Thanks for listening, suckers!

lucifer_foxWhat with the search for a new Home Office thanks to continual incursions by vermin (It’s like Secret Wars, only with ants!), we’re a little scatterbrained and fried this week, but we don’t let that get in the way of putting together a great show for you! Or at least a show of roughly professional-ish quality!

Disney’s D23 Expo was this weekend, and since Marvel Studios was bough by Chairman Mouse, that means that the first real footage from Captain America: Civil War has been shown. Not released, and not leaked in any fashion we’ve been able to locate, but descriptions abound, so we discuss what we’ve heard, what was announced about Doctor Strange, and whether we will be allowed to openly carry liquor and firearms at the Mos Eisley Cantina Disney will be building at Disneyland.

And while we weren’t able to see the Civil War trailer, we have been able to see the pilot to Fox’s upcoming adaptation of Vertigo Comics’s Lucifer. We are big fans of Mike Carey’s Lucifer series (and Neil Gaiman’s Sandman that introduced the character in that form), so we have strong opinions as to how the original comic series, about a fallen angel exploring what it means to have free will through the creation of literal universes, jibes with this new series about a Devil who solves crimes with a former actress cop.

We also discuss:

  • The Walking Dead #135, written by Robert Kirkman with art by Charlie Adlard, and:
  • Starfire #3, written by Amanda Conner and Jimmy Palmiotti, with art by Emanuela Lupacchino!

And now the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like a sudden tangent over which character in The Strain we want to kill with a pipe wrench (it’s totally Zach).
  • This show contains spoilers. While we try to shout out warnings ahead of time, be forewarned that we will reveal that people talk a lot in The Walking Dead.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you think your employer is interested in the continuity ramifications of perverse Wookie sex, get yourself some headphones.

Thanks for listening, suckers!

daredevil_netflix_season_1_posterLet’s be honest here: if you’re a comic book fan who’s connected enough to be listening to comic book podcasts, there’s a good chance that you have a subscription to streaming Netflix. And if you do, you probably spent this weekend the way we did: binge-watching Daredevil. And possibly binge-drinking Daredevil beer.

So we discuss the show, including the parallels between Kingpin’s and Daredevil’s character arcs, how effective the characterizations of other supporting characters were, and the general adult nature of the show (vis a vis violence and alcohol). We also talk about how the show stacks up against Mark Waid’s current comic book version of Matt Murdock, what we hope to see in the future from the show, and whether a certain relatively high-profile character’s unexpected death amounts to Suicide By Kingpin.

We also discuss:

  • Convergence: Nightwing and Oracle #1, written by Gail Simone with art by Jan Duursema, and:
  • The Walking Dead #140, written by Robert Kirkman with art by Charlie Adlard!

And now the disclaimers:

  • We record this show live to tape. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like an impromptu pitch for Batman: I Punch Your Groin.
  • This show contains spoilers. This show especially contains spoilers for the Daredevil TV show. Like, we ruin the whole thing. Like, we air recordings taken of us watching the show, that include dialog of the show. So consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. For example, we talk about “Jerk Hawkman.” Only we don’t use the word “jerk.” So get some headphones.

Oh, and by the way: if you’re looking for that Web site that has transcripts of at least some of the episodes of Daredevil? Here you go. And that reference to Bullseye maybe being in the show? Here’s the source.

Enjoy the show, suckers!

walking_dead_125_cover_2014Editor’s Note: Some kind of instinct. Memory of stories they used to ruin. This was an important spoiler in their lives.

Let me start be reiterating the spoiler warning in the first line of this review. I recognize that I try to get cute with my spoiler warnings, and therefore they might be missed by some people who want to cut to the chase and get pissed off by reading spoilers on a free Web site written by a drunkard who’s spent almost two years complaining about the antagonist in The Walking Dead. I intend to spoil the living shit out of this issue. Starting now.

Thank fucking God that, after about 23 straight months of the rotten, one-note son of a bitch, someone has finally put the shiv to Negan. Granted, it happens at the very end of the issue, and since this is only part 11 of 12 of the All Out War storyline, he still has 22 pages to magically get someone to seal the gaping wound in his neck to still be a pain in someone else’s, but I have waited since July of 2012, when Negan killed Glenn (which gets namechecked in this issue) to see someone actually hurt that wretched bastard.

I have been vocal about how slowly-paced things have seemed since Negan came on the scene to curse and threaten his way through The Walking Dead, so seeing him take a blade to the throat would have given this issue a thumbs up even if the other 21 pages were wordless Charlie Adlard ink washes of Rick trying futilely to crank himself off with his wrist stump. But that’s not the case.

Instead, we have a rich issue filled with the aftermath of Negan’s earlier biological warfare, some scenes of some serious jockeying in conventional warfare, and a whole bunch of sweet, sweet psychological warfare. Meaning that not only does this story meet the definition of All Out War, but it is the first really, really good issue of The Walking Dead in quite a long time.

robert_kirkman_headshot_sdcc_2013-1337403105It is getting late in San Diego Comic-Con, and the true fatigue hysteria is beginning to set in. I personally have not slept longer than six hours in the past four nights, and considering my diet in that time has varied wildly from gourmet triple-creme brie to greasy patty melts to tater tots, washed down with everything from Starbucks iced coffee to Stone IPA to hotel room self-brewed coffee to Coors Light, I am beginning to break down physically. And considering I am writing this with only about two hours to spare before I have to haul my shattered carcass to the convention floor to attempt to obtain some Goddamned thing called a Plush Zerg for contributor Lance Manion (and knowing Lance, this “convention exclusive” can only be obtained in the third stall of the mezzanine men’s room), I am staring goggle-eyed at a notebook full of details from yesterday’s Skybound Comics panel.

Skybound is, if you are not familiar, the personal publishing imprint at Image Comics for creator of The Walking Dead Robert Kirkman. Meaning that, if you have picked up one of Kirkman’s comics – The Walking Dead, Invincible, or Super Dinosaur, off the top of my head – it was a Skybound book. But it is not a vanity imprint by any stretch of the imagination; Kirkman has been bringing other creators into the fold to release books, including the recent Thief of Thieves. And based on what we were told in the panel yesterday, there are a variety of other books on the way, covering genres from westerns to horror to 70s grindhoue-style revenge flicks, indicating that if we wait long enough, we will eventually see the Skybound bullet on a romance comics, if not some form of furry yiff-tacular.

Jesus, I’m tired.