Bullseye: Francesco Francavilla To Pencil Hawkeye

This is about the best news from Marvel Comics in a while: artist Francesco Francavilla, who did such good, pulp-inspired work on 2011’s Black Panther: The Most Dangerous Man Alive (which came about a week too early to make my list of the best of 2012) and on this week’s Dark Horse The Black Beetle (which is really pretty good, and which we will be reviewing sometime in the next few days), will be taking over art duties on Matt Fraction’s Hawkeye for two issues.

“On Hawkeye, we’ve been blessed with not only one of the biggest writers in comics with Matt Fraction, but also some of the best artists like David Aja, Javier Pulido and now Francesco Francavilla,” said the book’s editor Stephen Wacker in a statement accompanying Marvel’s announcement of Francavilla’s addition to the team. “Though he’s only on the series for issues #10 and #12, Francesco is going to leave his mark on Clint with some of the most beautiful art you’ll see all year!”

Hawkeye is about the best match for Francavilla’s art style that I can currently think of at Marvel. The book has a healthy mix of street level crime and weird, S.H.I.E.L.D. superspy action that are pulpy and grimy, with enough big, overblown action, to really pop under Francavilla’s pencils. The dude gives solid, old-school action-adventure illustrations, and is probably my favorite artist discovery since we started Crisis On Infinite Midlives in 2011. Francavilla will be drawing Hawkeye #10 and #12, and you can check out his cover to issue 10 after the jump.

When Raccoons Fly: Marvel’s Guardians of The Galaxy Liveblog

Here’s the problem with having been six years old when Star Wars was released in theaters: I’ve never really given that much of a damn about Guardians of The Galaxy. Yeah sure, Guardians of The Galaxy debuted in 1969, but that was before my time, and by the time Marvel really started to whip them up was in Marvel Presents right around the origina Star Wars release, and if you’re six, who’re you gonna pay attention to? The guy with the full color lightsaber? Or the talking raccoon with a gun (and before you ask, no, even at six or seven, I didn’t buy into Jaxxon, either)?

But regardless, Marvel Studios in its infinite wisdom has decided to make Guardians of The Galaxy into their next big tentpole property, which means that Marvel is releasing a new book starring the team, written by Brian Michael Bendis with pencils by Steve McNiven. And Marvel just hosted a liveblog with those guys to talk about what they have planned for the property. And I tried to get myself excited about the prospect, even though it features a guy who calls himself Starlord without a whiff of irony, and a creature that calls itself Rocket Raccoon, which is roughly analogous to me calling myself Lumbering Whiteguy.

And I’ll be damned if it doesn’t sound like they have some cool stuff planned for the project.

XX-Men: Marvel Gives Details on Wood’s and Coipel’s All-Female Book

Y’know, for a guy that had his DC exclusive contract politely allowed to expire about a month before the New 52 relaunch (and after DC announced, and then unannounced, that he would be the writer on the Supergirl relaunch in September, 2011), Brian Wood has had one hell of a busy – and big – year. Between the launches of Mara for Image, Conan and The Massive for Dark Horse – not to mention the big success of Star Wars for that publisher just last week –  the guy has a lot going on… including that new book for Marvel that they teased last week with a one-word poster reading only “XX”.

These’s been a lot of speculation about what “XX” means, from the idea Amanda floated to me that it was an X-Treme X-Men relaunch, to the one I insisted upon to my bartender that it was about Dos Equis. Actually, I was just ordering a Dos Equis, but that’s not important right now.

What is important is that Marvel has revealed what it’s all about. It’s an X-Men book. Titled X-Men. With no, you know, men in it.

Friendly Fired: DC Makes Last-Minute Writer Changes To Constantine, Birds of Prey

What the fuck is going on over at DC Editorial?

Back in November, when Vertigo announced they were cancelling Hellblazer, they tried to lessen the blow by hyping up the new DC Universe-based book Constantine, with Robert Venditti as the announced writer. Just a few weeks later, when they announced that Duane Swierczynski would no longer be writing Birds of Prey, they made a big deal of the fact that they had brought in Skullkickers writer Jim Zub to take over, trotting the poor bastard out to do interviews where he espoused how excited he was to have the opportunity, and talked about all the ideas he couldn’t wait to bring to the book.

That, however, was then. Today, DC released their April solicitations, and yeah: neither of those guys are going to be writing those books.

Somewhere along the line, someone between DC Editor In Chief Bob Harras and the individual titles’ editors decided to replace those writers with pretty much no notice (at least to the reading public) until the solicitations dropped today, with those solicitations indicating that Constantine will be written by Jeff Lemire and Ray Fawkes (who was originally to replace Gail Simone after she was fired from Batgirl… you know, before she was rehired), and Birds of Prey to be taken over by Amethyst writer Christy Marx. Apparently. At least for now. At this point, my co-editor Amanda is frantically hitting F5 on her email, checking to see if perhaps she is the next writer of Birds of Prey.

Between these moves and the aborted firing of Gail Simone, I can’t personally remember a case where, at the editorial level, a bunch of last-minute creator changes were made on books where the replaced creators were reasonably well-publicized, and all before their first issues even came out. Sure, you see it with artists sometimes, but normally only after deadlines start to become an issue (hi, Mark Silvestri!). So what the hell is going on at 1700 Broadway, guys? Did Robert Venditti nail the wrong guy’s wife? Did Jim Zub leave an Upper Decker in the Editorial Department men’s room? Or the ladies’ room? Or maybe Geoff Johns’s Aquaman cap?

Well, Harras and DC Editorial Director Bobbie Chase did an interview with Comic Book Resources to try to explain some of the reasoning behind the sudden moves. So… what the hell, guys?

Truth, Justice And The American Way: Warner Bros. Finally Wins Rights To Superman

Update, 1/11/2013, 10:10 a.m.: Jeff Trexler at Comics Beat has a pretty detailed rundown of the decision and its overall meaning.

It was probably a foregone conclusion, given years of contracts and lawsuits and back-of-the-check work for hire agreements and thousand upon thousands of court hours – sweet, sweet lawyer-billable hours – but it appears that the Ninth Circuit Court of Appeals has all but given the rights to Superman to Warner Bros.

In a decision handed down earlier today, the court asserted that an October lower court decision that denied Warner Bros.’s claim that a letter, sent to Warner in 2001 by one of Superman co-creator Jerry Siegel’s heirs, constituted the acceptance of a settlement offer over the whole rights mess and therefore meant that the question of who owned what and when and why and under what threats of which ruinous lawsuit or where the promise of torture was made and how. So with that issue resolved, it means that, unless someone wants to take this to the Supreme Court – assuming the Supreme Court wants to spend time talking about comic books – Warner Bros. owns the rights to use Superman pretty much lock stock and barrel.

Dropping The Hammer (At Least I Hope It’s The Hammer): Walt Simonson on Indestructible Hulk

Amanda reported earlier about Marvel’s new one-word teaser – part of what’s looking to be a new round for already-introduced comics from the Marvel Now relaunch (but not a reboot! Because Marvel doesn’t reboot! And Spider-Man has always had feet that looked like Mickey Mouse was crippled by polio!) – hinting that the Doc Ock version of Spider-Man is possibly going to lose his Avengers ID card and all associated rights, privileges, upgrade miles and punches toward a free six-inch sub.

That, however, wasn’t the only teaser up Marvel’s sleeve today. To wit: legendary The Mighty Thor artist Walt Simonson will be taking over art duties, at least temporarily, from Leinil Yu on Indestructible Hulk. And Marvel being Marvel, they had a teaser to go with the news…

Winning Friends And Influencing People – “Superior Spider-Man” Fired…Don’t Get Excited Yet.

Marvel is throwing another comic book teaser our way, this one somewhat less mysterious than yesterday’s XX promo, but still ambiguous enough to make us wonder…

…how can “that old Parker luck” (as Comic Book Resources called it) run out so fast when Peter Parker isn’t even driving the bus anymore? I mean, look at those faces teased up on that image: OctoSpidey seems to have pissed off the whole of The Avengers and gotten himself fired. That’s fast work, faster than my Uncle Louie can get himself drunk, disorderly and tasered at GED Prom Night Zumba at the Learning Annex.

In any event, the “Fired” teaser also points to a new arc that will see Ryan Stegman departure. Humberto Ramos will be joining writer Dan Slott, as penciler. Fans of big-eyed, lanky looking manga type characters, rejoice.

Superior Spider-Man drops at your LCS this Wednesday, January 9. Slott and Ramos’s new arc begins in April 2013.

The Most Interesting One-Word Marvel Now Teaser In The World: “XX” By Brian Wood and Olivier Coipel

Wolverine calls him the best there is at what he does.

Cyclops believes that he is a dick.

It took Emma Frost longer to read his mind than it did for her to read Infinite Jest.

Hank McCoy calls him a beast.

He is the master of magnetism… according to Eric Lenshurr.

He is… the most interesting man in – ah, screw it; Marvel’s released another one-word teaser poster, and it says “XX.” Sure, I could have made a classy observation like “XX” is the chromosonal sequence for women, but there was a Dos Equis beer joke there, and I am only a man. A weak man. A weak man with a drinking problem. It’s pretty much all I can think about. It’s quite serious.

Right, the comic book. You can check the teaser after the jump.

Daily Bummer: Steve Gerber on Simon And Shuster, And How To Help Peter David

It will be a quiet day here at Crisis On Infinite Midlives, as most of our contributors will be meeting us shortly to participate in a team building exercise. This will involve being at the bar next to our local comic store, where they know me by name and ask me to stop building my own teams by cutting and pasting panels from different new releases, meaning that, if all goes well, our local SWAT Team will have the chance to learn to work together as a closer unit.

So just a couple of quick things today: first off, 20th Century Danny Boy has just republished an article, initially written for Rolling Stone by Howard The Duck creator Steve Gerber back in the mid-70s, about the fall into destitution of Superman creators Jerry Siegel and Joe Shuster prior to Warner Bros. making the deal to pay them an annual pension for life… not for any legal reasons, but to try and win a PR victory despite making millions off a character that Siegel and Shuster created back in the 30s and sold for $130.

Rolling Stone never published the article, but Gerber updated it in the mid-80s and published it in Wap, a fanzine run at the time by Gerber, Frank Miller and Steven Grant, and this is the first time it’s seen the light of day since then. It’s a pretty harrowing story about how the big comic publishers routinely fucked and burned most of the creators who invented the characters we still read and love to this day, and how many of them died penniless, despite publishers making millions off of their creations (and don’t think it doesn’t still happen on some level; ask Ed Brubaker how much input he had over the movie script for The Winter Soldier). It’s one hell of an article, somewhat disturbing, and yet another reason why I’m perfectly happy to be sitting on the sidelines writing about comics rather than actually writing them. Well, that and my utter lack of talent in writing plot, story or characterization.

And in the spirit of helping out comic creators going through a bad patch: we reported earlier this week that X-Factor, Captain Marvel, Incredible Hulk and Star Trek writer Peter David had suffered a stroke while on vacation in Florida. David’s wife Kathleen has been posting daily updates on his condition on David’s Web site, and yesterday she posted a way for fans to help him out with, despite his having health insurance, what will probably be some not insubstantial co-payments:

X-Factor Writer Peter David Suffers Stroke

Update, 12/31/2012, 2:40 p.m. Peter David’s wife Kathleen has posted additional information on David’s condition on her Web site:

We have a diagnosis, which is a small stroke in the Pons section of his brain. Now we have to figure out where we go from here and how we get Peter back to what he was before the stroke. We know that a total recovery is slim because damage to the brain doesn’t go away but the brain can be trained to work around the damage and give Peter back what he has lost…

As he stated, he has lost most of the use of his right arm, his right leg is incredibly weak, the vision in his right eye is blurry, and the right side of his face is drooping slightly. But the brain is there with all its quips and quick retorts. He has had the nurses laughing a lot.

Again, we wish David a full and quick recovery.

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Peter David, writer of a long and awesome arc of The Incredible Hulk in the tale 80s and early 90s, the early 2000s run of Captain Marvel that made Bill Jemas’s Marville look like the pile of shit that it truly was, and the current writer of X-Factor, has suffered a non-fatal stroke while vacationing in Florida.

David reported the incident on his Web site earlier today:

We were on vacation in Florida when I lost control of the right side of my body. I cannot see properly and I cannot move my right arm or leg. We are currently getting the extent of the damage sorted out and will report as further details become clarified.

And that’s the extent of what we currently know, other than the fact that this totally sucks. David has long been considered one of the more consistently good Marvel Comics writers here at the Home Office, and on a personal level, has made X-Factor a must-read, even though I generally don’t read too many X-Titles. We hope he has a full and speedy recovery.

(via Peter David dot net)