Ed. Note – This review is in no way influenced by the fact that I’m turning 40 tomorrow. Condolences, whiskey and Lipitor can be sent to the usual place.

Being Slade Wilson has never been easy. Given super strength, agility and healing factors through military experiments, you’d think Wilson would’ve had a bright future ahead of him as a metahuman super soldier. But, as so often happens, government bestowed super powers only come with more headaches than they’re worth. Am I right, Captain Atom? That guy knows what I’m talking about. In Slade’s case he ended up going mercenary to protect a friend, getting one of his sons kidnapped and grievously injured, getting shot at and partially blinded by his wife, and going on to become the punching bag for a group of teen superheroes, the Teen Titans. Oh, and engage in what can best be described as an “inappropriate” relationship with a 15 year old girl in the process. Slade Wilson – making the good choices! Serious, it’s all in The New Teen Titans: The Judas Contract. Go on. Read it and come back. I’ll wait.

Ok, so, now that the DC Universe has been rebooted, where does Slade Wilson find himself? Still a sad adversary to meta-powered children or did The Powers That Be give him a shot at a better life this time around?

Spoilery goodness and knife play after the jump!

Bleeding Cool wants to know: Did Frank Cho realize when he drew the Avengers vs. X-Men 0 cover that Hope Summers appears to be, well, flying out of the Scarlet Witch’s special lady place…or at least a cape, gently waving in the breeze of the Phoenix Force or something, that’s shaped like a vagina?

Yes. These are the questions that need to be answered.

Here’s Frank Cho’s response:

“It never occurred to me that I was drawing a giant vagina when I drew this cover. I could kind of see it now in its final colored form. It’s funny how people project their fears, concerns and fantasies into other people’s art.

“Okay. Rebuttal.

“Like Georgia O’Keefe, I love vaginas. What’s wrong with vaginas? ;-)”

You decide, after the jump.

Since there’s a better than average chance that The Dark Knight Rises prologue we posted will be gone any second, even though it is of quality so shitty you will question whether you are seeing Commissioner James Gordon, Gordon Lightfoot, or perhaps the anthropomorphization of the voice in your head that tell you to burn things (…just me? Really? Okay.), we thought that it was only fair to provide you with a suitable back-up. DC isn’t the only comics company releasing a movie in 2012 after all; Marvel has a dog in this fight, so we at Crisis On Infinite Midlives are proud to present the newest, high-definition trailer for Marvel’s much anticipated… Ghost Rider: Spirit of Vengeance, starring Nicolas Cage!

…Ghost Rider? Really?

Huh. Really. Okay.

Seriously?

C’mon! That could be Nic Cage on any given Saturday night! Frankly, that could be me on any given Saturday night! Jesus, the big comics Web sites get crystal-clear Avengers shit, and we get Ghost Rider? (Rob: Just write the copy and put the video after the jump. We can feel bad about our place in the comics world later. -Amanda)

*sigh* Fine.

EDITOR’S NOTE: This review contains spoilers. Because I’m a bad man! And I keep thinking bad thoughts! But since I live nowhere near a cornfield, all I can say is that you have been warned.

People talk about the Spider-Man Clone Saga as if it was the low point of comics in the 90s… and those people are arguably right. But the problem with designating something as the worst thing ever is it makes it easy to forget, and sometimes wrongfully forgive, other things that were also awful, just not quite as bad. After all, it’s hard to bitch about a stubbed toe when it happens on the way back from a botched colonoscopy.

The Clone Saga was the worst. That doesn’t mean that Carnage wasn’t also truly, truly horrible.

A knockoff of Venom introduced at the height of Silence Of The Lambs mania who was probably created at an old-school Marvel Summit (Two guys in a Manhattan nightclub men’s room saying, “Hannibal Lecter as a Venom whatchacallit!” “Genius! Let’s gack up another rail!”), Carnage was unoriginal on his face.  And he became so prevalent and irritating that it only took Brian Michael Bendis two issues of New Avengers to have Sentry not only drag Carnage into outer fucking space, but also tear him apart. For a writer of slow, decompressed, all-foreplay comics like Bendis, that was the equivalent of hatefucking Carnage and wiping his dick on his knee on the way out. It was awesome.

Man, what a busy week. It’s the end of the busiest season for Amanda and me at our respective day jobs, which sadly are not in the comics industry… but then again, that should be obvious considering that we still have jobs.

But as kicked as our respective asses are, we can finally relax for a single evening, because it is Wednesday, which means that this…

…is the end of our (admittedly meager) broadcast day.

But it’s only an evening of rest, because there’s just too much good shit in there to try to review this week: check out that new story about the unkillable, walking dead: Carnage USA! We also have a zombie story to read!

There’s also a new Battle Scars, a J. H. Williams’ Batwoman, the latest New Avengers, and Palmiotti’s and Gray’s The Ray #1!

All of which means that this is gonna be a busy week trying to review it all… but first we need to read some of it. So see you tomorrow, suckers!

If you’re not an old school comics fan going back to the 80’s or into more indie stuff, you might not know who Geof Darrow is, since he’s done most of his work for the movies and TV. He started out in animation doing character designs for the Pac-Man Saturday morning cartoon, so you know he must smoke pot. Then he did the concept art for Neo’s biopod in The Matrix, so you know he must smoke laced pot.

Comics-wise, he wrote and drew Shaolin Cowboy, which has been out of print for years.  He drew The Big Guy and Rusty The Robot and Hard Boiled, both written by Frank Miller. And at the 2009 Boston ComicCon, he grabbed my 1990 first print copy of Hard Boiled #2 and used it to give some kid who he was talking to when I shuffled up an impromptu art lesson without my having to ask or buy something or shoot his loved ones in the face.

Merry Christmas, Frankie Brown Castle! Or at least close enough in that kind of “horseshoes and hand grenades” sort of sense. You know all about hand grenades, don’t you Frank? Of course you do.

Issue #6 of The Punisher finds Frank Castle continuing to follow the trail of the shadowy, yuppie criminal outfit, The Exchange. The trail takes him to an exclusive ski hideaway inn somewhere in upstate New York – where Exchange management is having some sort of winter spa retreat to discuss the “emerging Punisher threat”. How evil! And, yet, relaxing! I wonder if the rooms come equipped with Jacuzzis? Because that would be awesome! I totally want to work for these guys.

Or, do I?

Spoilers which may or may not incorporate mayhem, sausages and ketamine after the jump!

When I was five years old, I ate a bad hot dog on Christmas Eve and spent Christmas Day hurling like an inveterate alcoholic on an Antabuse drip instead of playing with my shiny new Maskatron. The experience was so bad that I literally couldn’t even look at a hot dog for about ten years afterwards; the thought of them made me sick, even though I knew that I might like them if I could put the bad memories behind me and try them again.

It was in this spirit that I bought Teenage Mutant Ninja Turtle: Raphael #1.

Intellectually, I know that TMNT started as a pretty hard-edged satire of Frank Miller’s Daredevil and Ronin, and that any humor in the book came from the inherent absurdity of turtles being involved in a ninja story played completely straight. And that I actually liked those early stories. And that there was a reason that those books were so sought-after in the middle, late 80s. I know this.

But then there was that fucking cartoon.

Last night I got into an argument with a bottle of vodka and the vodka won. I woke up feeling pretty low, but you know who probably feels worse? Anybody who makes the mistake of palling around with John Constantine, that’s who. This is a fact that we are told goes back as far as Constantine’s childhood in John Constantine: Hellblazer Annual. “Suicide Bridge” takes Constantine back to his old stomping grounds in Liverpool. The mother of a long missing childhood friend is dying and his family would like him to work his mojo to determine what happened to her son, so she can die with some piece of mind. As is typical for Constantine, the search for answers never goes smoothly.

Spoilers after the jump!