If you’re not an old school comics fan going back to the 80’s or into more indie stuff, you might not know who Geof Darrow is, since he’s done most of his work for the movies and TV. He started out in animation doing character designs for the Pac-Man Saturday morning cartoon, so you know he must smoke pot. Then he did the concept art for Neo’s biopod in The Matrix, so you know he must smoke laced pot.

Comics-wise, he wrote and drew Shaolin Cowboy, which has been out of print for years.  He drew The Big Guy and Rusty The Robot and Hard Boiled, both written by Frank Miller. And at the 2009 Boston ComicCon, he grabbed my 1990 first print copy of Hard Boiled #2 and used it to give some kid who he was talking to when I shuffled up an impromptu art lesson without my having to ask or buy something or shoot his loved ones in the face.

Merry Christmas, Frankie Brown Castle! Or at least close enough in that kind of “horseshoes and hand grenades” sort of sense. You know all about hand grenades, don’t you Frank? Of course you do.

Issue #6 of The Punisher finds Frank Castle continuing to follow the trail of the shadowy, yuppie criminal outfit, The Exchange. The trail takes him to an exclusive ski hideaway inn somewhere in upstate New York – where Exchange management is having some sort of winter spa retreat to discuss the “emerging Punisher threat”. How evil! And, yet, relaxing! I wonder if the rooms come equipped with Jacuzzis? Because that would be awesome! I totally want to work for these guys.

Or, do I?

Spoilers which may or may not incorporate mayhem, sausages and ketamine after the jump!

EDITOR’S NOTE: This review contains spoilers, such as the fact that Venom rides Captain America’s motorcycle. Which you learned from the cover to your left. Damn covers have no regard for spoiler alerts. However, consider yourself warned. 

Stop me if you’ve heard this one: a guy walks into a Marvel comic, and he gets confronted by Captain America. Cap tells the guy that he’s out of control and he needs to be brought in, so the guy tells Cap that he’s always respected him and that Cap’s been a big influence on him, and then he punches Cap in the temple, steals some of his shit and gets away clean! Ha! Get it?

Oh, you’ve heard that one? Of course you have. It’s been a staple of Marvel Comics at least since Daredevil: Born Again. So much so that Mark Millar and Matt Fraction hooked it for The Punisher during and just after Civil War. And then Mark Waid took it for Daredevil #2 just three or four months ago. Hell, Daniel Way used it in Deadpool this fucking week. And now Rick Remender’s dusted it off for Venom #10. And considering all these characters wind up kicking Captain America’s ass when he shows up, it’s reaching the point where I’m beginning to think that Captain America’s Kryptonite is simple respect; if Baron Zemo had offered to shake Cap’s hand before shooting off that rocket, this book would take place in the Wunder Universum and everyone would be eating schnitzel right now.

This time around, Cap shows up to shut down the government program that hooked Flash Thompson up with the Venom symbiote. Unfortunately, Cap’s timing leaves a little to be desired, since Thompson is being blackmailed to do crimes as Venom by Jack O’Lantern and Crime-Master – because nothing proves you’re a master criminal like telling everyone you’re a master criminal. Ask Keyser Soze. But I digress.

Okay, nobody panic, but recently someone was wrong on the Internet!

A couple days ago, J. Michael Straczynski posted a chart with a horrifying, Killington black diamond descent slope that he found at some undisclosed location on a Facebook page with the comment: “Sales on The Amazing Spider-Man since my departure. Just sayin’. ”

Now, here at Crisis On Infinite Midlives, we love us some JMS. We make it a point to hit the Spotlight on JMS panel at SDCC every year, and we’ve even watched Jeremiah because of his involvement, and not to watch the final career destruction and public humiliation of Luke Perry. Well, at least mostly because of JMS.

And there was a time when I would have cheered a post like Joe’s, because there is, in fact, a bright and shimmering line between JMS’s run on The Amazing Spider-Man and what came after. I call it a bright, shimmering line because to me, it resembles a steaming, stinking arc of urine: One More Day.

One More Day was abominable. It was a wretched and cynical move to eliminate Peter Parker’s marriage from continuity without rebooting the whole character… because Marvel doesn’t reboot! Making a deal with the devil to eliminate your past is just a minor course correction! And exposing your genitals to school children is just a form of enthusiastic mime!

And frankly, the early issues of Amazing Spider-Man after One More Enthusiastic Mime were almost as bad. A rotating writing and art staff, with some kind of apparent editorial mandate to chuck a bunch of villains for Spider-Man to fight and a pile of new tail for Peter to chase felt forced. Sometimes almost desperate. I mean seriously: Paper Doll? Who makes people thin and kills them? A little on the nose, dontcha think? What, did Dan DiDio throw a trademark on the name Teabag?

So yes, there was a time I would have been on JMS’s side with his post, despite it being so passive aggressive it makes a Jewish grandmother look like John Rambo. There were several months where I kept The Amazing Spider-Man on my pull list on a week-by-week basis. However, these days the book is exclusively written by Dan Slott. It’s gotten over it’s weird need to come up with new villains no one gives a shit about, and, recent only-okay Spider-Island event aside, it has been a source of damn fun comics stories. And Amazing Spider-Man #675 is no exception.

In a sentence, The Defenders is Matt Fraction trying to write Warren Ellis’s Nextwave.  Nextwave was some of the biggest, purest, dumbest comics fun I’ve see in years before or since, so there are worse things to aspire to.

Does Fraction succeed? Kinda. And for now, “kinda” is good enough.

For those not familiar, The Defenders was born as a team book back in the 70s, and they were the very definition of Nobody’s Favorite – a bunch of second-stringers, to the point they were led for a while by Marvel’s knockoff pastiche of Batman (Yes, there is another one besides Moon Knight). The book consistently came in behind Marvel’s big hitter team books, Avengers and X-Men, and died mostly unmourned in the early 80s. To give you an idea how a lot of people felt about it, one of the most recent revivals was helmed by Keith Giffen, J. M. DeMatteis and Kevin Maguire – the guys behind Justice League in the 80s, which was another team of inveterate second stringers – and, as they eventually did with Justice League, they played the Defenders mostly for laughs.

The original Defenders series was only notable for being a place where more experimental writers like Steve Gerber could run wild – they teamed up with Howard The Duck once, for Christ’s sake. And it seems to be in this spirit that Fraction is trying to ground his new Defenders.

The lineup is just about the same as it ever was – Dr. Strange, The Silver Surfer, and Namor, with Red She-Hulk thrown in instead of The Hulk, probably because Ike Perlmutter will be damned if he pays four people to draw The Hulk on a monthly basis. Fraction also throws Iron Fist into the mix; an optimist might say it’s because Fraction made his Marvel bones writing Iron Fist with Ed Brubaker… a pessimist might say it’s because he’s developed a taste for giving comics fans the fist. But I digress.

Yesterday Marvel announced that their big crossover event for 2012 will be: Civil War! Wait – I mean: Avengers Vs. X-Men!

In a streaming press conference with Editor-In-Chief Axel Alonso, SVP of Publishing Tom Brevoort, Senior Editor Nick Lowe, and Marvel’s Architect writers Brian Michael Bendis, Matt Fraction, Jason Aaron, Ed Brubaker and Jonathan Hickman, they gave the gist of what we’re in store for: about 300 clams to read the whole story! Wait, that’s not right

…the seeds for this story have been growing for a while. When [the 2007 X-Men event] “Messiah CompleX” introduced the so-called “Mutant Messiah,” a little girl with green eyes and red hair named Hope, it raised the obvious question, “Who is she?” and, of course, the specter of the Phoenix.

So if I had to hazard a guess, the Phoenix Force is returning to Earth, probably to infect the little girl who looks just like Jean Grey, if Jean Grey were redrawn by commission for loathsome perverts. The X-Men will want to protect their messiah, The Avengers will want to stop a potential extinction-level threat to Earth, stuff will explode, and dudes will get kicked.

A couple hours ago, Comic Book Resources ran an interview with Brian Michael Bendis in which he announced he will be ending his run on The Avengers in 2012. Seemingly instantaneously, message boards, Facebook accounts, and Twitter all exploded with chatter. In the interview, Bendis discusses where his Avengers arc is going, the addition of Storm to the team, and how a newly revitalized Norman Osborn is going to flare up and plague The Avengers like herpes on prom night. And he compared his run on The Avengers to Breaking Bad.

“I’m going to wrap up ‘Avengers’ and ‘New Avengers.’ At the same time the first storyline of ‘Avengers Assemble’ will be done,” Bendis told CBR. “It’s a good time to move on to other things. Before I go, though, I’m ending things big. I’m in countdown mode. You know when you’re watching a show like ‘Breaking Bad,’ and every episode feels like the second to last episode? That’s where I’m at. I’ve been on the Avengers longer than anybody in the history of the book. When you take everything into account, I’ve written over 200 issues. I’m very, very proud of that, and what we have coming up this summer gives me the opportunity to go out on a high note. I know enough about showbiz to know that’s a great time to go.”

Hey! Guess what, everyone? I found a great comic book that I’d really like to recommend to you all but, what’s that Internet? Ghost Rider, written by Rob Williams, with art by Dalibor Talajić has been canceled?

Oh. Oh well.

So, does this cancellation have anything to do with the upcoming sequel to the 2007 Ghost Rider movie? You know, the one that was so bad it got a 4.3 out of 10 rating on Rotten Tomatoes…which begs the question as to why there’s even a sequel in the first place?

Launched during the “Fear Itself” event under the guiding hand of writer Rob Williams, “Ghost Rider” provided a new female version of the long-standing hero while keeping original rider Johnny Blaze on as co-star. The character has a new movie — “Ghost Rider: Spirit of Vengeance” from Columbia Pictures — set to hit theaters this February, though beyond an incoming special re-presenting classic tales of Blaze, the publisher appears to have no plans for a major media tie-in push.

So, that’s a no. Having a female Ghost Rider possibly running around when Nicholas Cage is poised to take yet another stab at comic book movie glory has absolutely nothing to do with it.

Sure.

Spoilers, snakes and swamp water ahead!

This review probably isn’t going to be very long because there’s just not all that much to say about Daredevil #6, or the book in general since Mark Waid took over writing duties from Andy Diggle a few months back. This is an excellent comic, and you should be buying it. This is one of the rare comics where you really need to nitpick to find fault… and make no mistake, I will do that, because baldfaced cheerleading for a comic book just isn’t funny. Unless you’re watching someone else doing it. Preferably at a convention. While he or she is wearing an authentic Spider-Man costume. Assuming Peter Parker had been given the proportionate strength and speed of a very, very obese spider. But already, I digress.

Let’s start with the villain. Bruiser is a new creation by Waid and artist Marcos Martin, with a simple premise: he dresses like a wrestler, he wants to fight The Hulk, and he’s working his way up “The Ranks” of superhumans until he’s earned his shot. That is all we know and all we need to know; he exists to give Daredevil someone new and cool to fight, which is damn refreshing after years of story arcs where old familiar villains with axes to grind spend issue upon issue planning to psychologically destroy Matt Murdock. There have been times when I’ve put down a Daredevil issue and said, “Jesus, would you and Kingpin just fuck and get it over with, already?”

So, this an image that may or may not be conceptual art for the Lizard in the Spider-Man movie reboot popped up on the Russian Web site, Spider Media. Yes, it does have a “.ru” in the address. No, it is not babushka porn. Settle down. Google Translate tells me all the Cyrillic comes out to “SpiderMedia.RU : Comics, Movies, Superheroes, Games, Action Figures, Animation, News, Reviews” and at this stage no Red Dawn malware seems to have been installed on my computer, so, as far as I can tell, these are our people. And they probably have vodka, so take a look and tell me if you think this art looks pretty close to the Steve Ditko art I’ve shopped in next to it:

This man could definitely sit down and have a chat with you about the heartbreak of psoriasis...but he'd probably just eat your face.

It’d be nice if the creatures created actually looked like they came from the comic book the movie was about, right?

Sure, as Bleeding Cool pointed out, this has been released conveniently close to the promotional Pez dispenser reveal, but, who cares? It’s certainly better than the costume they came up with for the Green Goblin in the first movie. Hell, they could probably use a green Sharpie to draw scales on a greenman suit and it would look better than the Green Goblin costume for the first movie.

Now, if you’ll excuse me, I’m off to go satisfy my craving for Pez and vodka.