get_jiro_blood_and_sushiThis week, the paperback edition of celebrity chef Anthony Bourdain’s graphic novel Get Jiro: Blood and Sushi, was released. This book is a prequel to his 2012 sci-fi comic Get Jiro!, and like the original, it is steeped in modern foodie culture. Luckily, Amanda is also steeped in foodie culture.

So we talk about Get Jiro! and other foodie-related books (like Starve and Chew), and how some are good about catering to new culinary enthusiasts, while others depict a subculture where not knowing the unwritten insider foodie rules mean that you literally deserve to die… all while being part of a comics culture that is trying desperately to shed a long reputation of being hostile to outsiders. And if that all sounds heavy, fear not: there is also a story about Rob eating a pile of rock salt at a fine French restaurant that is just plain funny and dumb.

We also discuss Civil War II #6, written by Brian Michael Bendis with art by David Marquez!

And, the usual disclaimers:

  • This show contains spoilers. If you don’t want to know if Jiro survives Get Jiro: Blood and Sushi, well, you’re probably being willfully obtuse considering it’s a prequel, but consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. We talk about C. B. Cebulski’s Lucky Peach. You want to risk your mom hearing about that? Then get some earbuds.

Thanks for listening suckers!

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Yes, we missed another episode. Rob’s brother was hospitalized on Thursday, making recording an episode this weekend impossible.

Assuming the situation improves, we will be back with a new episode next Sunday.

Thanks for your patience.

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power_man_iron_fist_9_cover_2016We’re back, after yet another interruption – this time, we left the Crisis On Infinite Midlives Home Office to go to the American Classic Arcade Museum, where Amanda beat her personal best on Centipede, and Rob, after 30 years, finally learned the secret to escaping the building in Elevator Action (Take the elevator to the lobby and shoot everyone who gets in your way… which, to be honest, is a good strategy for getting out of any building, but what the hell? Rob is slow).

But we are back, and ready to discuss Marvel’s latest original Netflix series: Luke Cage. This is a series that touches on a variety of classic genre fiction, from pulp to blacksploitation to 70s cop TV to good old superhero comics, and provides us with a couple of deep, well-developed villains with sympathetic motivations and believable actions. And there is also Diamondback!

We also discuss:

  • Power Man & Iron Fist #9, and:
  • Glitterbomb #2!

With that said:

  • This show contains spoilers. If you don’t want to know why Luke Cage proves that Captain America is history’s greatest monster, consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. If you don’t want to explain the definition of “rapscallion hobo” to your mom and / or employer, get some headphones.

Thanks for listening, suckers!

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It was the long Columbus Day weekend here in the United States, and we just returned from our semi-annual trip to Funspot, where Amanda broke her personal record on Centipede by about 15,000 points, and Rob cleared a building in Elevator Action, thus fulfilling a frustrated life goal he’s had since he was 11 years old and putting him one step closer to both carpal tunnel syndrome and the grave.

But we returned to the Crisis On Infinite Midlives Home Office later than we originally intended, making it impossible to do our planned episode on Marvel’s Netflix series Luke Cage in the in-depth manner which it deserves.

However! Due to the vagaries of our day job schedules, we will have time to record this episode tomorrow. So there will be a new podcast about Luke Cage up tomorrow night.

We apologize for our recent sporadic nature of the show, and you have our word that we’re doing our best to get our thumbs on it

Thanks for your patience, and we’ll talk to you tomorrow.

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ms_marvel_11_cover_2016We are more than halfway through Marvel’s Civil War II summer event, which, like most Marvel summer events, has dragged into the fall with no end before the darkest days of winter in sight. And while we previously have idly wondered how Marvel intends to deal with characters who are on the side of profiling and pre-crime, the event has really reached the point where, in order to keep the plot moving, characters like Captain Marvel and Black Panther are acting in truly reprehensible ways that will likely require rehabilitation on the level of Matt Fraction’s reboot of Tony Stark’s brain after the first Civil War.

And while there is no main Civil War II issue this week, there are several books that feature main pro-Predictive Justice players in the event doing horrible things that run the gamut from emotionally destroying adoring teenagers, to entrapment, to asking people if they are for or against you and placing those in the latter camp under arrest without even precognitive evidence. All of which makes Tony Stark’s Civil War pro-registraton stance look like good, old-fashioned flag-waving New Deal patriotism.

So we discuss these books, including:

  • Ms. Marvel #11, written by G. Willow Wilson with art by Takashi Miyazawa and Adrian Alphona,
  • The Totally Awesome Hulk #10, written by Greg Pak with art by Mahmud Asrar, and :
  • Captain Marvel #9, written by Ruth Fletcher Gage and Christos Gage with art by Thomy Silas.

And we discuss not only what can be done to rehabilitate characters who are clearly meant to be on the wrong side of issues, but how the series maps to recent social justice events and causes in the news.

And, the disclaimers:

  • This show contains spoilers. While we try to give warnings ahead of time, if you don’t want to know why the Canadian justice system is the most ruthless yet enticing in the world, consider yourself warned.
  • This show contains adult, profane language, and is therefore not safe for work. We did this show on a mix of beer, Sudafed and cough medicine, and we pride ourselves on our vocabularies even under adverse circumstances. Get some headphones.

Thanks for listening, suckers!

 

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…nah, Rob just had to finish that work project (it’s finally done!), and we’re both actually down with the first Martian Death Flu of the season.

We’ll be back next week, and without that rotten project in the way, we should be back to full-length episodes.

Thanks for your patience.

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hadrians_wall_1_coverAfter yet another cripplingly busy week at the Crisis On Infinite Midlives Home Office (and, to be honest, after about a quart of single malt scotch and a few belts of mescal), we only had the time to discuss a few of the comics of the week. But that turns out to have been a good decision; since we didn’t have time to fully discuss and coordinate our choices, we wound up with a couple of polarizing choices upon which we didn’t really agree.

This led to a conversation that ranged from deciding where on the Kubler-Ross scale of grief we are with regards to Watchmen characters still appearing in DC: Rebirth books (Rob is at “Bargaining”, Amanda is “amused at Rob’s Bargaining”), how James Tynion IV made Rob care about Spoiler for the first time, whether there’s enough nostalgia in the world to make innovative visual storytelling enough to bring Steve Austin into the 21st Century, and how Amanda’s battle against scotch last night went (picture Amanda as Rocky and scotch as Apollo Creed).

So what comics do we talk about?

  • Detective Comics #940, written by James Tynion IV with art by Eddy Barrows,
  • Lady Killer Volume 2 #2, written and drawn by Joelle Jones,
  • The Six Million Dollar Man: Fall of Man #3, written by Van Jensen with art by Ron Salas, and:
  • Hadrian’s Wall #1, written by Kyle Higgins and Alec Siegel, with art by Rod Reis!

And, as usual, the disclaimers:

  • This show contains spoilers. If you don’t want to find out who dies in this week’s Detective Comics (hint: it’s not Batman), then consider yourself forewarned.
  • This show contains adult, profane language, and is therefore not safe for work. See that title? It’s because we talk about Lee Majors and a plaster cast. You want your boss asking about that? Then get some earphones.

Thanks for listening, suckers!

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…Sorry, but life and work just got in the way of producing a show this weekend. 

We apologize, and will be back strong next weekend. 

Strong? Sorry, I meant drunk.

Either way, we’ll be back next weekend. Promise.

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anniversaryIt is the Labor Day long weekend here in the United States, and considering there was little comics news this week, we strongly considered taking a pass on a show this week. However! A quick peek at our Web site archives reminded us that today, September 4th, is the fifth anniversary of Crisis On Infinite Midlives on the Internet.

And we couldn’t let the occasion pass by unmarked. So we did a very brief show (at least a brief show for us) to reminisce about where and how we started, and how we wound up where we are.

And since that story isn’t a long and involved epic tale that will ring down through the ages to eventually become a three-hour Charlton Heston movie, we also talk a little bit about some Spider-Man: Homecoming casting news, The Attack of The Mushroom People (for some reason), and some of this week’s comics:

  • Suicide Squad Special: War Crimes, written by John Ostrander with art by Gus Vasquez,
  • Thunderbolts #4, written by Jim Zub with art by Jon Malin, and:
  • Uncanny Avengers #13, written by Gerry Duggan with art by Ryan Stegman!

Oh, by the way: that Jeph Loeb / Ed McGuinness Avengers title Rob was looking for was Avengers: X-Sanction from back in 2012.

And, as always, the disclaimers:

  • This is a shorter-than-usual episode, and it’s a little bit loose. We assure you: we’ll be back to spending two hours acting as if in love with the sounds of our own voices next week.
  • This show contains spoilers. If you don’t want to know that John Ostrander’s Suicide Squad is about a black-ops team of supervillains… well, you’re already screwed. But you are also warned.
  • This show contains adult, profane language, and is therefore not safe for work. Your boss is already upset that the next long weekend is three months away; don’t go making them angrier by listening to this without headphones.

Thanks for listening (and reading) for the past five years, suckers!

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tick_amazonWe’re not gonna apologize here: we love The Tick. During the 1980s Rob was a regular customer of the Brockton, MA New England Comics retail store where The Tick was born, Amanda was a fan of the 1990s Fox cartoon that brought the character to national prominence, and we both enjoyed the Patrick Warburton live action show from back in the day when your live action TV superhero choices were The Tick, Smallville or (God help us) Black Scorpion.

So we were excited when Amazon Prime video announced that part of their 2016 comedy pilot season would be a new, live action version of The Tick. And as fans of the character from the days he was a Daredevil parody through his more silly Saturday morning cartoon adventures, we were excited to see the character back in live action… but we really weren’t expecting what we got from the show. It’s a much darker, more psychological take on the character than we’ve seen maybe since the first few Ben Edlund issues of the comic book, and yet still pretty funny. And we had a lot of fun talking about it, on its own merits and in comparison with earlier versions of the character.

What’s that? You don’t have an Amazon Prime membership and you want to see the episode we’re talking about? Well, you can see it for free on your computer, and even find a link to a survey where you can give Amazon your feedback on the show.

We also discuss:

  • Kingsway West #1, written by Greg Pak with art by Mirko Colak,
  • Civil War II: Ulysses #1, written by Al Ewing with art by Karl Kesel, and:
  • Detective Comics #939, written by James Tynion IV with art by Eddy Barrows and Eber Ferreira!

And, as usual, the disclaimers:

  • This show contains spoilers. If you don’t want to know whether Warren Ellis fan Al Ewing spends more time developing the character of Warren Ellis’s Karnak or Brian Michael Bendis’s Ulysses, consider yourself officially warned. You don’t need to be warned, but you are.
  • This show contains adult, profane language, and is therefore not safe for work. Let’s just say that, “Spoon!” is not the strongest word we shout during the show. Consider ear buds.

Thanks for listening, suckers!

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